Skip to main content

Italian Films at the 2018 Cannes Film Festival

Update May 19, 2018

Two Italian filmmakers were awarded prizes at Cannes -
Best Screenplay went to Alice Rohrwacher for Lazzaro Felice..
Best Actor went to Marcello Fonte for his role in Matteo Garrone’s Dogman
&
Gianni Zanasi's comedy Lucia’s Grace was named Best European Film in the Directors’ Fortnight
Stefano Savona's Samouni Road won the L'Oeil d'or for Best Documentary given by the French Society of Multimedia Authors (Scam)

Congratulations!


Original Post

Five Italian films made the official program of the 2018 Cannes Film Festival plus one in the Directors' Fortnight category. They are:


AS IT IS ON EARTH by Pier Lorenzo Pisano: Cinéfondation Selection


The village was small, and now it's even smaller; only four houses still standing and a street. There is no one around. Nobody to say "hi" to, no one to whine about the heat to. The earthquake didn't even spare the sound of breathing. The story of two souls trying to mend a wound in a torn town.

DOGMAN by Matteo Garrone: En Competition


DOGMAN is the name of a pet grooming shop and also the tragic prediction of the main character’s metamorphosis from man to animal. Based on a true story that took place 30 years ago and of which nobody will ever know the truth, DOGMAN digs deep into the human dilemmas of the violence hidden inside each one of us.


EUPHORIA by Valeria Golino: Un Certain Regard


The film revolves around two distant brothers, forced together by life events. Matteo (Scamarcio) is a young successful entrepreneur who is open-minded, charming and dynamic. His brother Ettore (Mastandrea) still lives in the small provincial town where they were born, teaching at the local middle school. He is a fairly cautious and honest man, who has always stayed out of the spotlight out of fear of making mistakes. They are two apparently very distant people. However, a difficult situation results in the two brothers being given the opportunity to get to know each other, and they soon discover that they have a surprisingly close bond in a vortex of fragility and tenderness, fear and euphoria

LAZZARO FELICE (MY BITTER LAND) by Alice Rohrwacher: En Competition


The adventures of a man living on the margins of his society who can seemingly travel through time.


PAPA FRANCESCO – UN UOMO LA SUA PAROLA (POPE FRANCIS - A MAN OF HIS WORD) by Wim Wenders: Séances Spéciales


The film is only the second co-production that the Vatican has made with outside filmmakers and the first in which a Pope addresses the audience directly, discussing topics such as ecology, immigration, consumerism, and social justice.

Pope Francis – A MAN OF HIS WORD is a significant nonfiction film, as it is not a biography about the Pope, rather a film with him.

On March 13th, 2013, the Cardinal of Buenos Aires, Jorge Mario Bergoglio, became the 266th Pope of the Catholic Church. As Pope Francis, he has made communication a vital element of the Church and a key component of his remarkable work of reform.
In Pope Francis – A MAN OF HIS WORD, he responds to questions submitted from around the globe. Exclusive footage from the Vatican’s archive shows the Pope on journeys, sharing his ideas and ideals in different parts of the world.

TROPPA GRAZIA (LUCIA'S GRACE) by Gianni Zanasi: Quinzaine des Réalisateurs - Film de clôture


Single working mother Lucia (Alba Rohrwacher) is trying to find the right balance between life with her teenage daughter, a complicated romance and her career as a land surveyor. Lucia’s future is jeapordized when she realizes that an ambitious new building is environmentally dangerous due to the city council’s inaccurate maps. Lucia is torn by her decision to keep her mouth shut for fear of losing her job. A mysterious foreign woman tries to convince Lucia to stand up to her superiors and recommend a church as the only solution for the troubled building site. Lucia’s belief in miracles will soon be put to the test.

SAMOUNI ROAD by Stefano Savona: Quinzaine des Réalisateurs


In the rural outskirts of Gaza City, the Samouni extended family, a small community of farmers, is about to celebrate a wedding. It’s going to be the first celebration since the last war. Amal, Fuad, their brothers and their cousins have lost their parents, their houses and their olive trees. The neighborhood where they live is being rebuilt. As they replant trees and plow fields, they face their most difficult task: piecing together their own memory. Through these young survivors’ recollections, Samouni Road conveys a deep, multifaceted portrait of a family before, during and after the tragic event that changed its life forever.

Newly announced films include...
THE FIGHT by Marco Bellocchio: Quinzaine des Réalisateurs - Courts métrages
EVERYBODY KNOWS by Asghar Farhadi: En Competition, Film d'overture
IN MY ROOM by Ulrich Köhler: Un Certain Regard
THE BICYCLE THIEF by Vittorio De Sica: Cannes Classics

Movie descriptions were provided by Filmitalia. The 2018 Cannes Film Festival will be held May 8 - 19. Click here for more information.

Comments

Popular posts from this blog

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

Ornella Muti: Four decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with La Moglie più bella (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, Sole nella pelle (Sun on the Skin) in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies with the political climate, the breathtaking seaside as well as the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and succeeds in capturing the innocence and beauty of first love.   Muti made her American film debut in 1980 with Flash Gordon . She played the role of Princess Aura.  She’s appeared in two other American films, including, Oscar , which was directed by John Landis and featured Don Ameche, Chaz Palminteri, and...

Iconic scenes from 'Totò, Peppino e la malafemmina' highlight Italy's North-South divide

If you’re in the mood for a quintessential old-school Italian comedy, look no further than “Totò, Peppino e la malafemmina.” Directed in the mid-1950s by Camillo Mastrocinque, the film has stood the test of time. Starring two of Italy’s most beloved comic actors, Totò (Antonio De Curtis) and Peppino De Filippo, it is widely regarded as one of the country’s most iconic comedies, showcasing mid-century Neapolitan humor. The film also features a young Nino Manfredi at the beginning of his prolific six-decade career. “Totò, Peppino e la malafemmina” is the story of two simple, old-fashioned brothers from Naples, Antonio and Peppino Caponi (Totò and De Filippo respectively), who embark on a trip up north to check on their young nephew Gianni. Gianni has moved to Milan and fallen for a seductive nightclub dancer named Marisa (Maria Luisa Mangini, aka Dorian Gray), whom they refer to as a “malafemmina,” meaning a “bad woman” or femme fatale. Believing she is corrupting him, Totò and Peppino ...

A Conversation with Actor- Luca Calvani from Warner Bros. Upcoming Release "The Man from U.N.C.L.E."

The cast and filmmakers of The Man from U.N.C.L.E.  in Rome  A few years ago, I interviewed actor, Luca Calvani on the occasion of his U.S. release, When in Rome . Today, we are revisiting our conversation as he is promoting his much anticipated spy thriller, The Man from U.N.C.L.E. Directed by Guy Ritchie, the all-star cast includes Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, and Hugh Grant. Based on the television series by Sam Rolfe, the story is set in the 1960's and follows CIA agent Napoleon Solo and KGB operative Illya Kuryakin as they participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons. The U.S. release date is set for August 14, but the cast recently did some press for the film in the Eternal City, where much of it was shot. Luca Calvani Born in Tuscany, Calvani has traveled the world following his career. He began working as a model in the 1990's...

Cineuropa's Interview with Michele Placido

It was announced this week that Michele Placido's new film, "7 minuti" will be shown at this year's Rome Film Festival. 11 amazing actresses women star in "7 minuti" by Michele Placido , a drama co-produced by Italy, France, Spain and Switzerland and being distributed by German company Koch Media. The cast features Cristiana Capotondi , Ambra Angiolini , Fiorella Mannoia , Maria Nazionale , Ottavia Piccolo , Violante Placido , Sabine Timoteo , Anne Consigny , Mimma Lovoi and Clémence Poésy . The film is based on the play of the same name by Stefano Massini, who wrote the screenplay with Placido, and is the story of 11 women, a mixture of manual labourers and office workers, who are called to the negotiation table when the owners of the textiles company they work for sell the majority of their shares to a multinational. In a short space of time they must decide, for themselves and on the behalf of their fellow colleagues, whether to accept the...