Born in Florence in 1981 to an Italian mother and German Father, Rohrwacher attended Torino University, where she graduated with a degree in Classic Literature. Her first jobs after college included writing for theater and playing music.
She entered the film industry as an editor of documentary films before directing her first feature, "Corpo Celeste" (Heavenly Body), the tale of a teenage girl painfully assimilating into the culture of southern Italy and the Roman Catholic Church. The film premiered at Cannes Film Festival's Directors' Fortnight in 2011 and won several international film festivals before being released in the United States.
Rohrwacher's second feature, "Le meraviglie" (The Wonders), follows a family of beekeepers living in isolation in the Tuscan countryside. The dynamic of their overcrowded household is disrupted by the arrival of a troubled teenage boy taken in as a farmhand. At the same time, a reality TV show (featuring a host played by Monica Bellucci) is intent on profiling the family. Both intrusions capture the attention of the eldest daughter, Gelsomina, who struggles to find her purpose in the world. Rohrwacher gracefully conveys the girl's adolescent sense of curiosity and confusion. The film won the Grand Jury Prize at the 2014 Cannes Film Festival, where it premiered and features her sister, Alba Rohrwacher.
In 2015 she directed "The Djess," a short film commissioned by Prada as part of its label Miu Miu. The ninth installment of the "Miu Miu Women's Tales," the film was shown in the Venice Days section of the Venice Film Festival. Also starring her sister, "The Djess" features a stunning designer dress with crystal beads, which practically comes alive with emotion. The dialogue is presented as made-up language and pokes some fun at the world of high fashion with its temperamental models and hysteric paparazzi.
Watch "The Djess" on YouTube..
The trait that Rohrwacher's films share is their sense of fantasy. Perhaps it's the atmospheric lighting or the long, complicated silences between her characters. Whatever the process, she consistently succeeds in achieving a surreal atmosphere; this is her work's trademark and signature style. She also tends to tell stories from the point-of-view of innocence, whether a child or teenager.
"I can't imagine a better gift than to spend time in New York, take part in the events at the New York Film Festival, and to have the time to research in local archives and libraries for my next film," said Rohrwacher upon being named the Film Society of Lincoln Center's Artist in Residence. The program was launched in 2013 by Jaeger-LeCoultre and the Film Society of Lincoln Center as an annual initiative designed to support filmmakers early in the creative process against the backdrop of New York City and the New York Film Festival.
In addition to filmmaking, Rohrwacher directed her first opera, a new version of La Traviata for Teatri di Reggio Emilia, that premiered in 2016.
June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...
Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife). Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time. Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love. Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...
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Anna Falchi was born Anna Kristiina Palomaki, on April 22, 1972, in Tampere, Finland. Her mother, Kaarina Palomaki Sisko, is Finnish, while her father, Benito "Tito" Falchi, is from Romagna, Italy. Growing up in Italy, Anna was a tomboy, and had a fervent imagination. She is known mostly for her prolific career in modelling. However, she tried her hand at acting and landed a role in one of my favorite Italian comedies, Nessun messaggio in segreteria . I consider it my one of my favorites because it brought together so many amazing, talented filmmakers during a time when they were all just starting out. Those filmmakers, Pierfrancesco Favino, Valerio Mastandrea, Luca Miniero and Paolo Genovese are now huge names in contemporary Italian cinema, so it's great to look back and see their work in a low-profile film completely different from the bigger-budget stardom they now know. Watch the trailer . Anna Falchi started her career as a...
Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty. He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence. Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...
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