Pietro Germi and Criterion Channel's Treasure Trove of Cinematic History

I just got around to subscribing to the Criterion Channel tonight and I saw the most fascinating documentary about actor/director Pietro Germi with a beautiful clip of actress Franca Bettoja talking about her husband Ugo Tognazzi.

Bettoja is Maria Sole and Gian Marco Tognazzi’s mother. She described Ugo when he would work on a film that Pietro Germi was directing. “I saw Ugo for the first time in "L'immorale" (The Climax). He was always extremely disciplined and professional. Maybe he didn’t know everything but he had a good memory, so he never used to study the script at home. He’d read it and then go to it. I remember that when he had to be on Pietro’s set, he was like a schoolboy. Woe to any driver that would show up late! He was very careful. They both were. Ugo and Pietro respected each other but it was more than that.”

Renée Longarini and Ugo Tognazzi in Pietro Germi’s "L'immorale" (The Climax)

The documentary is a treasure trove of old interviews… Claudia Cardinale, Mario Monicelli, Stefania Sandrelli, Carlo Verdone with young versions of Daniele Luchetti and Paolo Virzì.

Claudia Cardinale speaks with nostalgic affection about Germi, who passed away in 1974 at the age 60, while Verdone gives special insight into Germi’s legacy on Italian cinema, saying that “(Germi) was the first true creator of the ensemble film.” He goes on to explain how Germi’s ensembles differ from the ensembles that Federico Fellini created in his early works. “In Fellini’s, the subtleties were hidden in throwaway lines and little gestures. I'm referring to the scene of the crew on the beach in the "Lo sceicco bianco" (The White Sheik) or to "I Vitelloni," a great ensemble film. But Germi created the ensemble comedy.”

The documentary is called “Pietro Germi: The Man with the Cigar in His Mouth” and is available online at www.criterionchannel.com.

Comments

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration. Nicknamed a “female Chaplin” and described by Chaplin himself as the actress who moved him most, Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times. Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema. I was fortunate to have seen most of the nominees. Among my personal favorites is Michele Vannucci's Il più grande sogno simply because it is based on one of the most inspiring, beautiful stories I've ever heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew t...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann. Not only was Fellini directing the children, but he was also putting on shows and charging ...

Italian Cinema Today

Search This Blog