Skip to main content

"Felliniana - Ferretti dreams of Fellini" Opens at Cinecittà


Istituto Luce Cinecittà
presents

FELLINIANA
Ferretti dreams Fellini



Cinecittà Studios presents a permanent exhibition-installation dedicated to the Maestro Federico Fellini curated by his production designer Dante Ferretti and Francesca Lo Schiavo.

January 20, 2020, marks the 100th birthday of Fellini. To mark the event, Cinecittà will present him with a gift, Felliniana - Ferretti dreams of Fellini. The exhibit will be housed in Cinecittà studios within the historic 'Palazzina Fellini'.

The work bears the signature of Dante Ferretti, the Oscar-winning scenographer who for Fellini was one of the magical architects of his visions, an artist-craftsman capable of giving shape to his dreams, and Francesca Lo Schiavo, a close associate of Ferretti, and an internationally acclaimed scenographer and set decorator. The exhibition offers full immersion into Fellini's imagination as well as the dreamlike and suggestive story of an artistic partnership and friendship. 

Fellini and 'Dantino' first met on the set of Satyricon in 1969. Their collaborations include the 1978 Orchestra rehearsal, the 1980, The city of women, the 1983 And the Ship Sails, the 1986 Ginger and Fred and the 1990 The Voice of the Moon.

Felliniana, produced and promoted by Istituto Luce-Cinecittà, is a small city within Cinecittà, a physical and dreamy space that in a collected journey contains mementos of the entire Fellini universe. The exhibition unfolds in three main areas- three stages of a journey, the places of his inspiration.

The Central Room, graced by the posters of the films as in a magnificent fresco, tells the story of the car, a regular ritual between the director and the set designer: the journey on the Fiat 125, with which Federico Fellini went to Cinecittà often accompanied by Dante Ferretti, and with which he loved to wander the streets of Rome at night with his friends (featured in Ettore Scola's How Strange to Be Named Federico). The central room is a physical and temporal space where conversations and exchanges of ideas took place, but also tales of dreams, on which Fellini questioned his scenographer.

The route continues in the Pleasure House, a synthesis room of the imagination contained in The City of Women, with the toboggan slide and the soubrettes that surround Marcello Mastroianni.

It leads to the final room, that of the Fulgor, the emblematic place for Fellini's childhood and his initiation into cinema. The iconic theater was recently restored by Ferretti in Fellini's hometown of Rimini. In the three rooms, Ferretti has built a new ideal home for Fellini.

 Cinecittà’s Felliniana, which will open its doors at the end of January, is one of many worldwide celebrations for someone considered the most representative of Italian directors in the world. Among the celebrations is the great restoration of all of Fellini's work by Istituto Luce-Cinecittà, Cineteca di Bologna, and CSC-Cineteca Nazionale. These works, which include The White SheikI vitelloniLa dolce vita
8 ½ and Amarcord will be shown at retrospectives around the world, including the prestigious BFI in London and the new Academy Museum in Los Angeles designed by Renzo Piano.

Cinecittà is located on Via Tuscolana in Rome. If you are traveling by subway, take the Red Line in the direction of Anagnina and exit the Cinecittà stop. For more information, visit Cinecittà online at www.cinecitta.com and www.cinecittasimostra.it.

Comments

Popular posts from this blog

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew that I would have to find out mor

Review: Francesco Rosi's 1967 'More Than a Miracle' starring Sophia Loren and Omar Sharif

Sophia Loren and Omar Sharif give extraordinary performances during the prime of their careers in Francesco Rosi’s “C’era una volta” (“More than a Miracle”). A delightful, whimsical film that transports you to another time, this enchanting 1967 period piece tells the tale of Rodrigo (Sharif), a Spanish prince initially opposed to marriage, and Isabella (Loren), the beautiful, defiant peasant girl who wins his heart. The film opens with Rodrigo attempting to tame a wild horse as his mother chides him for not taming a wife instead. When she relays orders from the king of Spain for him to marry, he mounts his unruly steed and gallops away, proudly displaying his independent spirit. Horse and supposed master run free through the countryside for a stretch, but the equally rebellious animal throws Rodrigo and abandons in a field, leaving him to fend for himself.  While searching for help, he finds himself in a remote monastery where he meets a flying monk (Yes, the monk actually flies.) who

"Ennio" — Portrait of a Genius

Though he wasn't a filmmaker, his name is inextricably bound with Italian cinema and some of Hollywood's biggest blockbusters. Known for his longtime collaborations with directors Giuseppe Tornatore, Sergio Leone, and Quentin Tarantino, Ennio Morricone created the soundtracks for Italian classics like "Cinema Paradiso" and "Malena" and American films like "The Hateful Eight," for which he won an Oscar, and "The Untouchables." Now, we have a deeply moving documentary that immerses us in the life and music of this modest genius. Written and directed by Tornatore, "Ennio" traces Morricone's path to becoming a renowned composer, focusing on his work on numerous films. It features archival and original footage, poignant interviews with Morricone conducted between 2015 and 2016, and heartfelt conversations with his peers and collaborators. The film spans Morricone's 80+ years in music, from trumpet lessons at six years old to

Ornella Muti: Four decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with La Moglie più bella (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, Sole nella pelle (Sun on the Skin) in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies with the political climate, the breathtaking seaside as well as the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and succeeds in capturing the innocence and beauty of first love.   Muti made her American film debut in 1980 with Flash Gordon . She played the role of Princess Aura.  She’s appeared in two other American films, including, Oscar , which was directed by John Landis and featured Don Ameche, Chaz Palminteri, and Sylvester Stallone

Cesare Zavattini: A Screenwriter Who Helped Define Italian Cinema

He may not be a household name, but he was a major force behind the rise of the neorealism movement and Italy’s Golden Age of Cinema. Screenwriter Cesare Zavattini was born in the region of Emilia-Romagna in 1902, earning a law degree before turning his attention to writing. In 1930, he moved to Milan to work at the Rizzoli publishing company. Five years later, he met Vittorio De Sica . They would go on to make 20 films together, including the neorealist classics “Sciuscià” (Shoeshine) (1946), “Ladri di biciclette” (The Bicycle Thief) (1948), “Miracolo a Milano” (Miracle in Milan) (1951) and “Umberto D.” (1952).    Zavattini worked on more than 80 films with many of the great directors of Italian cinema. Among them was Giuseppe De Santis, who collaborated with Zavattini in 1952 on “Roma 11:00.” A tragic story based on true events, the film follows several young women in post-WWII Rome as they answer a job listing for a typist. With 200 applicants waiting in line for an interview, the