"Felliniana - Ferretti dreams of Fellini" Opens at Cinecittà

Istituto Luce Cinecittà

presents

FELLINIANA

Ferretti dreams Fellini

Cinecittà Studios presents a permanent exhibition-installation dedicated to the Maestro Federico Fellini curated by his production designer Dante Ferretti and Francesca Lo Schiavo.

January 20, 2020, marks the 100^th birthday of Fellini. To mark the event, Cinecittà will present him with a gift, Felliniana - Ferretti dreams of Fellini. The exhibit will be housed in Cinecittà studios within the historic 'Palazzina Fellini'.

The work bears the signature of Dante Ferretti, the Oscar-winning scenographer who for Fellini was one of the magical architects of his visions, an artist-craftsman capable of giving shape to his dreams, and Francesca Lo Schiavo, a close associate of Ferretti, and an internationally acclaimed scenographer and set decorator. The exhibition offers full immersion into Fellini's imagination as well as the dreamlike and suggestive story of an artistic partnership and friendship.

Fellini and 'Dantino' first met on the set of Satyricon in 1969. Their collaborations include the 1978 Orchestra rehearsal, the 1980, The city of women, the 1983 And the Ship Sails, the 1986 Ginger and Fred and the 1990 The Voice of the Moon.

Felliniana, produced and promoted by Istituto Luce-Cinecittà, is a small city within Cinecittà, a physical and dreamy space that in a collected journey contains mementos of the entire Fellini universe. The exhibition unfolds in three main areas- three stages of a journey, the places of his inspiration.

The Central Room, graced by the posters of the films as in a magnificent fresco, tells the story of the car, a regular ritual between the director and the set designer: the journey on the Fiat 125, with which Federico Fellini went to Cinecittà often accompanied by Dante Ferretti, and with which he loved to wander the streets of Rome at night with his friends (featured in Ettore Scola's How Strange to Be Named Federico). The central room is a physical and temporal space where conversations and exchanges of ideas took place, but also tales of dreams, on which Fellini questioned his scenographer.

The route continues in the Pleasure House, a synthesis room of the imagination contained in The City of Women, with the toboggan slide and the soubrettes that surround Marcello Mastroianni.

It leads to the final room, that of the Fulgor, the emblematic place for Fellini's childhood and his initiation into cinema. The iconic theater was recently restored by Ferretti in Fellini's hometown of Rimini. In the three rooms, Ferretti has built a new ideal home for Fellini.

Cinecittà’s Felliniana, which will open its doors at the end of January, is one of many worldwide celebrations for someone considered the most representative of Italian directors in the world. Among the celebrations is the great restoration of all of Fellini's work by Istituto Luce-Cinecittà, Cineteca di Bologna, and CSC-Cineteca Nazionale. These works, which include The White Sheik, I vitelloni, La dolce vita,
8 ½ and Amarcord will be shown at retrospectives around the world, including the prestigious BFI in London and the new Academy Museum in Los Angeles designed by Renzo Piano.

Cinecittà is located on Via Tuscolana in Rome. If you are traveling by subway, take the Red Line in the direction of Anagnina and exit the Cinecittà stop. For more information, visit Cinecittà online at www.cinecitta.com and www.cinecittasimostra.it.

Comments

7 Days - 7 Women: Interview with Actress Sabrina Impacciatore

Photo by Rossella Vetrano On Day 6 of our series, 7 Days - 7 Women, in which we are profiling seven strong, talented women working as filmmakers, writers or visual artists, we talk with actress Sabrina Impacciatore about the diversity of her roles. Whether she's playing a devoted mother trying to protect her child, Jesus Christ's "Veronica" in Mel Gibson's controversial film, "Passion of the Christ" or a young woman coming of age, Impacciatore escapes into the life and mind of each character she takes on, sometimes so deeply that she believes she is actually them. It's a fine line between reality and fiction, but she treads it carefully and anyone watching her performance benefits from her emotional connection to the character that she becomes. I spoke with Impacciatore at the 2010 Open Roads: New Italian Film series in New York City. We talked about her lifelong dream of becoming an actress. She also gave me some insight into the diff

Michelangelo Frammartino's "Il buco" — Unearthing our past

When a team of speleologists descended 700 meters into the Bifurto Abyss in Cosenza, Calabria, in 1961, they discovered that the underground caverns were the third deepest in the world and the deepest in Europe. Italian filmmaker Michelangelo Frammartino retraces that mission six decades later with a cast of locals and their livestock in his latest documentary, “Il buco” (“The Hole”). Inspiration for the film came while he was on location shooting his 2007 documentary, “Le quattro volte” (“Four Times”). Officials in the Pollino mountains, which stretch between Calabria and Basilicata, showed him what appeared to be just another sinkhole. Frammartino failed to understand their enthusiasm until they tossed a large stone into the void. It disappeared without making a sound. He was so overcome by the experience and the eerie landscape, he was haunted for years, compelling him to make his current film, one of many rooted in nature. “I was born in Milan, but my family is from Calabria. My pa

A Conversation with Taylor Taglianetti, Founder of NOIAFT

A new platform has recently been launched that promotes the work of Italian Americans in film and television. The brains behind the initiative is a young, passionate woman who is taking the support that she received early on in her journey and paying it forward. With origins in Basilicata and Campania , Taylor Taglianetti is a proud Italian American from Brooklyn, New York. She is currently a senior at NYU Tisch School of the Arts, graduating in January 2020. She is majoring in Film and Television and minoring in the Business of Entertainment, Media and Technology. Taglianetti aspires to be a feature film producer and bring great stories to the big screen. In addition to running NOIAFT, she is currently a Development Intern with Silver Pictures, the production company that produced the Lethal Weapon and The Matrix series. Last summer, she was a development intern with Maven Pictures, the Academy-Award winning production company behind Still Alice and The Kids Are All Right .

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

A Conversation With the Man Who Played Pasolini's Christ

There have been countless cinematic interpretations of the books of the Bible, but few have stood the test of time. One that qualifies as a classic is Pier Paolo Pasolini’s 1964 “Il Vangolo secondo Matteo” (The Gospel According to St. Matthew). Considered by the Vatican to be among the best film adaptations of one of the Gospels, Pasolini’s 1964 film was shot in the regions of Calabria, Puglia and Basilicata. In an interview with RAI television while on location in Matera, Pasolini talked about the reasons for shooting there. “I chose two or three places in Basilicata. One is Barile, a town of Albanians. I needed a place for Bethlehem. Another location is Matera because it reminded me of Jerusalem,” he explained. Pasolini’s interpretation of St. Matthews’s Gospel is pure, with no added commentary. He said that he followed the Gospel word for word without adding a single syllable. He explained in the interview that his idea to make the film happened by coincidence. “In October of 19

Italian Cinema Today

Search This Blog