Skip to main content

The First Edition of the Matera Film Festival is Underway

The first edition of the Matera Film Festival is underway in the ancient stone city of Basilicata. A four day event featuring films from all over the world as well as books and art installations celebrating film, the festival is a physical event with social distancing measures in place. The first three days of the event count as the official film festival with the fourth to feature works focusing on culture, not in competition.

The festival was created by local filmmakers prolific in the international filmmaking scene that has exploded in recent years, inspiring the region’s nickname- “Basilicata: Land of Cinema.” Among them are actress Annarita del Piano, co-president (with Dario Toma) of the festival, actor and artistic director Nando Irene, creative director Silvio Giordano and producer Enzo Sisti who will serve as the honorary president. 

 

Sisti is responsible for bringing international crews to Matera, starting with Mel Gibson’s “The Passion of the Christ” up to the latest James Bond film, “No Time to Die.” Among the many films he has worked on are Richard Donner’s “Ladyhawke,” Steven Spielberg’s “Indiana Jones and the Last Crusade,” Terry Gilliam’s “The Adventures of Baron Munchausen,” Martin Scorsese’s “Kundun” and “Gangs of New York,” Anthony Minghella’s “The Talent of Mr. Ripley” and the Academy Award winner “The English Patient.” His latest projects are “Wonder Woman” and the production of the first VR film ever made “Jesus - the Story of Christ.” Both were shot in Matera.

 

The festival opened on Thursday with the exhibit “Sassi, Nuvole e Lupi” (Stone, Clouds and Wolves), an installation dedicated to the city of the Sassi and the comic series “Dampyr.” The exhibition is divided into two spaces. The first will feature illustrations of scenes set in Matera, created for “Dampyr” by Alessio Fortunato and “Martin Mystere” by Giuseppe Palumbo. The second will feature excerpts from the book “Pasolini 1964 - Beyond Matera and the Mediterranean” by Palumbo, Maurizio Camerini and Alessandro Manna. The book combines illustrations by Palumbo with texts by Camerini and Alessandro Manna combined with unpublished photos by MimƬ Notarangelo taken on the set of Pasolini’s film “The Gospel according to Matthew.”

Among the guests in attendance are actor Franco Nero, screenwriter Nicola Guaglianone, journalist and film critic Alberto Crespi and many regional actors who have had parts in various productions shot in the Sassi.

There are several interesting discussions planned with local artists, writers and filmmakers, including a masterclass on editing and special effects hosted by two renowned Italian filmmakers, Leonardo Cruciano and Marco Spoletini.

 

The four-day event runs through September 27. Follow this link to view the full program. https://www.materafilmfestival.it

 

Comments

Popular posts from this blog

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

A Conversation with Documentary Filmmaker Luigi Di Gianni

His documentary films have given voice to a people who would have otherwise been forgotten while preserving rituals and traditions no longer practiced. Visually stunning and emotionally moving, they reflect an Italy we’re not used to seeing in cinema.   Born in Naples in 1926, Luigi Di Gianni captured a dimension of Italy that people outside the South didn’t even know existed. He began his career working in the region of Basilicata, which back then was referred to as Lucania. He first visited the region with his parents when he was a boy. His father, being from the Lucanian village of Pescopagano, wanted to show his son his homeland.    That trip made an impression on the 9-year-old and created a deep affection that would one day inspire him to return. “I always remained very emotional about returning to this part of my homeland of Lucania,” he says. “It seemed like a different planet compared to Rome, where I lived. The tiring journey, the unpaved roads, the difficulti...

The Timeless Vision of Pier Paolo Pasolini

Pondering his films and poetry, I wonder if the uniqueness of Pier Paolo Pasolini's films was rooted in his unconventional childhood. Born in Bologna in 1922, Pasolini's father was a lieutenant in the army, and his family was always moving. He grew up in various small towns in Northern Italy. After his parents separated, he spent most of his time in his mother's hometown of Casarsa, in the region of Friuli Venezia Giulia. There, he grew to respect the area's peasant culture and began to write poetry in the region's dialect. He studied literature and art history at the University of Bologna and was drafted into the army during World War II. The war proved to be especially tragic for his family as his younger brother was executed by Communist partisans. Following the war, he returned to Casarsa where he worked as a teacher and ironically became a leading member of the Communist party there. Pasolini was later expelled from the party due to allegations of homo...