Skip to main content

The Timeless Cinema of Giovanna Ralli

She rose to fame in the post-war films of the 1950s with her simple yet stunning beauty, quick wit and tough as nails persona. She held her own alongside Italian cinema legends like Vittorio De Sica and Alberto Sordi. Now in her 80s, she talks about the past with sweet nostalgia.

Born in Rome on January 2, 1935, Giovanna Ralli wasted no time getting into show business. She made her feature film debut at the age of seven in Vittorio De Sica’s 1942 “I bambini ci guardano” (The Children Are Watching Us). Six years later, she began her theater career, becoming an actress in Peppino De Filippo’s stage company. But it was the big screen where she found her home. A small role in Federico Fellini and Alberto Lattuada's 1950 “Luci del varietà” (Variety Lights), set her film career into motion. 

 

Among her early roles is Marcella in Gianni Franciolini’s 1955 “Racconti Romani” (Roman Tales). In the spirit of the post-war economic boom, the film follows four young men as they carry out schemes to make quick money. Of course, each scheme is a flop, which gets them into trouble with their better halves and law enforcement. Marcella is the temperamental fiancé of Otello (Antonio Cifariello) who works day in and day out at a fish market trying to make ends meet. With each new scheme, she becomes more stressed about finances and loses her patience until she finally gives Otello an ultimatum. Although there is a focus on the economic difficulties facing Rome’s population of workers, the film is a feel-good comedy and feast for the eyes from start to finish as it features the most beautiful and historic sites of the Eternal City.

 

Vittorio Sala’s 1959 “Costa Azzurra” (Wildcats on the Beach), a quartet of comedic vignettes set on the French Riviera, features a spry Ralli in the role of Giovanna. Married to Alberto (Alberto Sordi), the couple travels from Rome to answer a casting call. After Giovanna auditions, Alberto senses from the snobby director that she is not right for the role. When he answers a call from the director to meet with him, he suspects it’s a ploy to let Giovanna down easy when in reality, the director is interested in casting him. This leads Alberto to dream of becoming a famous actor. Giovanna has a bad feeling. She follows her gut and in the end, saves Alberto from himself. Ralli is sensational in this role and her chemistry with Sordi is undeniable. The two remained lifelong friends as she recently recounted on Italian television in an interview with journalist Mara Venier.

 

That same year, she had a small but key role in Roberto Rossellini’s “Il Generale Della Rovere” (The General of Rovere). Set in 1944 Rome with historical footage interspersed, the film was adapted from the novel by Indro Montanelli, which is based on a true story. In order to avoid the death penalty for embezzling money from military families, Vittorio Emanuele Bardone/Grimaldi (Vittorio De Sica) is recruited by the Third Reich to go under cover in a northern Italian prison. Initially hired to impersonate the Italian resistance leader, General Della Rovere, who had been previously killed by German forces, he sympathizes with the inmates and becomes a martyr, refusing to betray them. Ralli plays the role of Valeria, Grimaldi’s girlfriend. She is a blonde femme fatale tired of being strung along by Grimaldi. When he asks that she pawn her jewelry to make up for money he lost gambling, she tells him to leave. Later, when he is picked up by German authorities, she is called in as a character witness and shows no pity.

 

Ralli in 2020 during an interview with journalist Mara Venier
Paul Wendkos’s 1970 western, “Cannon for Cordoba,” offered Rally the opportunity to act in an English-language role. Set during a 1912 battle against Mexican bandit revolutionaries crossing the border of Texas, the film follows the most dangerous, Hector Cordoba, portrayed by Italian actor Raf Vallone. Ralli plays Leonora, his ex-lover whose brother and father were murdered by him. She wants revenge and joins the American forces to get it. Vallone and Ralli are a sight to behold in the scenes they share. In all fairness, they weren’t given a great script but their scenes are truly captivating.

Ralli was married to attorney Ettore Boschi for 38 years until his death in 2013. In an interview with Il Messaggero, she spoke of their relationship. “We both hated worldliness and in the evening, when he came home from work, we often ended up on the sofa, happy, after a plate of spaghetti with tomato sauce, in front of an old movie." 

 

She continued working through the years and in 2014, made her last film with Pupi Avati. Click on the links below to stream a selection of her films on Amazon.

 

        

Comments

Popular posts from this blog

Luisa Ranieri: A Contemporary Classic

Paolo Sorrentino’s “The Hand of God” has advanced to the short list in the 2022 Oscar race. The film is available stateside on Netflix. One of the stars of the film is actress Luisa Ranieri as the eccentric, troubled Aunt Patrizia. Luisa Ranieri Born in Naples in 1973, Ranieri hit the ground running, finding her break out film just two years after starting her acting career. That project, a made for television movie on the life of Maria Callas in which she played the starring role, immediately made her one of the country’s most popular actresses. After numerous supporting roles in both television and film, Ranieri scored the title role in Lodovico Gasparini’s 2016 miniseries “Luisa Spagnoli,” giving her another opportunity to portray a deeply complex character. The film follows the trailblazing entrepreneur who created the Perugina chocolate brand as well as a popular clothing line that still bears her name.  “I was born poor like you and know how hard life can be.” That inspirin...

Golden Age Masterpiece: Luchino Visconti’s 1957 “White Nights”

Photo Credit: Archivio Luce Cinecittà Luchino Visconti’s 1957 film, “White Nights” (“Le notti bianche”), offers a thoughtful and poignant exploration of themes such as loneliness, desire and emotional vulnerability. Based on Fyodor Dostoevsky’s novella of the same name, it transports the tale from 19th-century St. Petersburg to a dreamy mid-20th-century Italian setting. While Visconti remains largely faithful to Dostoevsky’s narrative, his characteristic style infuses the film with emotional depth, striking visuals, and a focus on class and societal constraints.   The story follows a young man named Matteo, played by Marcello Mastroianni, who lives a solitary life in a small Italian town. One evening, he encounters a beautiful young woman named Natalia, portrayed by Austrian-Swiss actress Maria Schell, who is also feeling isolated. Although she is initially reluctant, Natalia eventually confides in Matteo about her love for a man who has promised to return and marry her, but he ha...

A Conversation with Sergio Castellitto

Sergio Castellitto has made a profound impact on world cinema, both in front of and behind the camera. Born in Rome in 1953, Castellitto graduated from film school in 1978 and credits American cinema with pushing him toward a career in acting. His work has garnered numerous accolades, largely due to his immersive, original approach to projects in film, television and theatre. Castellitto is fluent in French and English, which has contributed mightily to his international stardom. But it's the actor's trademark brown eyes and charming everyman qualities that have lent his various characters -- even the ones that are rough around the edges -- an air of dignity that other actors might not have achieved. Sergio Castellitto and Margaret Mazzantini, 2005 Films such as "Paura e Amore," "L'uomo delle stelle," "Caterina va in città," and "Bella Martha" heralded Castellitto as a versatile artist with far-reaching abilities. But it ...

Alberto Sordi Like You've Never Seen Him..

Twenty two-year-old Alberto Sordi on the set of "I tre aquilotti" Directed by Mario Mattoli, the 1942 film"I tre aquilotti" (The Three Pilots) is set at the Royal Air Force Academy of Caserta where three students– Mario (Carlo Minello), Marco (Leonardo Cortese) and Filippo (Alberto Sordi) become close friends. Towards the end of his studies, Marco casually meets and falls in love with Mario's sister, Adriana (Michela Belmonte). Mario shows his opposition to Marco and this causes the end of their friendship. Due to an accident during a training flight, Marco is demoted from the sailors role to the service role, thus not getting the military pilot's license. After the end of the course, the three friends split up for various destinations but all three find themselves in Russia, with Mario and Filippo already decorated with medals of merit, while Marco is in charge of logistics services. During a war action Mario is hit in flight and is forced to land in en...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...