Skip to main content

Giuseppe de Liguoro: A Pioneer of Early Italian Cinema

Giuseppe de Liguoro 
Credit: Museo Nazionale del Cinema – Torino

Born in Naples on January 10, 1869, Giuseppe de Liguoro is credited with creating historical, epic films that reached beyond the borders of his country. 


Among the iconic silent films he directed during the second decade of the 1900s are "L'Inferno" and "L'Odissea" (Homer's Odyssey), which were both made in 1911.


"L'inferno" was roughly adapted from the first part of Dante Alighieri's "Divine Comedy" and was Italy's first completed feature film. The project took over three years to make and was directed by de Liguoro, Adolfo Padovan and Francesco Bertolini. 


The gruesome story, which in the original poem, begins on the night before Good Friday in 1300, is set in the depths of Hell as Dante is guided through the "Nine Circles" by the poet Virgil. During their journey, they come in contact with a whole host of characters from the three-headed Cerberus to the flying serpent Geryon. They witness the devil savaging eating people, harpies eating the bodies of those who committed suicide, a man forced to carry his own severed head and people covered in lava. As limited as the special effects crews of that time may have been, the visuals are quite stunning and give testament to their ingenuity. 


The film premiered in Naples at the Teatro Mercadante on March 10, 1911. It was deemed an international success, grossing more than $2 million in the United States. 


This year marks 700 years since the death of Alighieri. In remembrance, the Uffizi Galleries in Florence has made 88 images available on its website. The very first image is from Inferno. Click here to take a virtual tour.


Check out the film below accompanied by a modern soundtrack...



Directed by the same three filmmakers, "L'Odissea" was produced for the world's fair of Torino to mark the 50th anniversary of the Unification of Italy. It premiered in the United States the following year and was declared to have begun "a new epoch in the history of the motion picture as a factory of education" by The Moving Picture World, a trade journal for the American film industry.


Check out the film below and enjoy the stunning images and rich colors...



The legacy of de Liguoro was carried on by his children. His son Eugenio was a director who also acted occasionally in his father's films.  His other son Wladimiro de Liguoro was also an actor and director, and married to actress Rina De Liguoro, who appeared in Luchino Visconti's "Il Gattopardo." 

Giuseppe de Liguoro passed away in Rome on March 19, 1944 at the age of 75. He will forever be remembered as one of the early pioneers of Italian cinema.

Comments

Popular posts from this blog

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew t...

7 Days - 7 Women: Interview with Actress Sabrina Impacciatore

  Photo by Rossella Vetrano On Day 6 of our series, 7 Days - 7 Women, in which we are profiling seven strong, talented women working as filmmakers, writers or visual artists, we talk with actress Sabrina Impacciatore about the diversity of her roles. Whether she's playing a devoted mother trying to protect her child, Jesus Christ's "Veronica" in Mel Gibson's controversial film, "Passion of the Christ" or a young woman coming of age, Impacciatore escapes into the life and mind of each character she takes on, sometimes so deeply that she believes she is actually them.   It's a fine line between reality and fiction, but she treads it carefully and anyone watching her performance benefits from her emotional connection to the character that she becomes. I spoke with Impacciatore at the 2010 Open Roads: New Italian Film series in New York City. We talked about her lifelong dream of becoming an actress. She also gave me some insight into the diff...

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...

Golden Age Masterpiece: Luchino Visconti’s 1957 “White Nights”

Photo Credit: Archivio Luce Cinecittà Luchino Visconti’s 1957 film, “White Nights” (“Le notti bianche”), offers a thoughtful and poignant exploration of themes such as loneliness, desire and emotional vulnerability. Based on Fyodor Dostoevsky’s novella of the same name, it transports the tale from 19th-century St. Petersburg to a dreamy mid-20th-century Italian setting. While Visconti remains largely faithful to Dostoevsky’s narrative, his characteristic style infuses the film with emotional depth, striking visuals, and a focus on class and societal constraints.   The story follows a young man named Matteo, played by Marcello Mastroianni, who lives a solitary life in a small Italian town. One evening, he encounters a beautiful young woman named Natalia, portrayed by Austrian-Swiss actress Maria Schell, who is also feeling isolated. Although she is initially reluctant, Natalia eventually confides in Matteo about her love for a man who has promised to return and marry her, but he ha...

Review: “Hitler Versus Picasso and the Others” by Claudio Poli

A compelling 2018 documentary by Claudio Poli aims to shed light on a chapter of Nazi history that is still relevant today. “Hitler Versus Picasso and the Others” is the story of how the Führer didn’t just take countless human lives but also robbed a whole culture of its artistic heritage. Narrated by actor Toni Servillo, “Hitler Versus Picasso and the Others” takes viewers on an incredible journey in search of masterpieces stolen during World War II. The stories of individual works are told by people who witnessed the looting, much of which took place during raids on homes and galleries belonging to Jewish collectors. The documentary reveals that 600,000 works of art were stolen from private owners, museums, churches and galleries.   The confiscated artwork was either kept by the Nazi elite, warehoused, sold or destroyed in bonfires. Few benefited more from this large-scale heist than Hildebrand Gurlitt, Hitler’s so-called art dealer, who kept many of the most priceless treasures ...