Skip to main content

In Conversation with Director Cecilia Pignocchi

Filmmakers Arthur Couvat and Cecilia Pignocchi
It’s unusual for a first-time filmmaker to be recognized by a high-profile, international film festival but such is the case with Cecilia Pignocchi and Arthur Couvat’s debut work, “Grottaroli.” The 14-minute film is in the official lineup of the 2021 Tribeca Film Festival’s Shorts Program.

Set along the Adriatic Coast, the film follows a group of veteran fishermen as they reflect on their way of life becoming obsolete. Told from the point-of-view of the four fishermen and as Pignocchi’s describes her fifth character, the sea, the film offers total immersion into this culture that few outside the area know exists. 

 

I spoke with Pignocchi about the making of the short and her journey to premiering a first film on such a respected international platform. 

 

What inspired you and Arthur Couvat to tell the story of men in this fishing village?

Arthur and I were inspired by the strong relationship that these men have with the sea and we were curious about their way of living in this unique landscape. I grew up a five-minute walk from the marine caves that have been carved by generations of fishermen, locally known as the Grottaroli. I only realized how unique this place was when I moved away. Living far from the sea and from my culture allowed me to see my hometown in a different light. Every time I would return home, I would see the caves as a movie set. After doing some research and site visits with my father, I involved my longtime friend and cinematographer Arthur Couvat. I showed him pictures of the caves and their inhabitants and he immediately loved the idea of making a short about this place. From then on we started our journey of producing this short film together. It has been a true labor of love, the project has been completely self-funded by us, the directors, with very little budget.

 

Tell me about Grottaroli.. Is it as its name suggests and made up of grottoes?

Grottaroli are the people who carved the caves. The term comes from “grotta” which means “cave” in Italian. So literally Grottaroli means “Cave people”. These marine caves are the extraordinary result of the work of man guided by fishing needs. Along the coast of Ancona, many caves have been dug over the centuries by the farmers who lived on the upper part of the cliff. First carved to store boats and fishing tools, the caves later became a gathering place. Nowadays, the new generation of cave owners go to the caves only in summer.

 

What can you tell me about the protagonists of the film?

We wanted to portray the real Grottaroli, the old generation, the men who come here all year round, no matter what the weather conditions are. So we looked for our cast in the winter, the season during which most of the caves are closed. 


The trailer is beautiful. The music and sound of the waves really stood out to me. 

We really wanted to use the beautiful Italian music from the ‘60s, which embraced perfectly the mood and story of our film. “Mare Incantato” by Fausto Papetti, which translates to “The Enchanted Sea,” was the perfect song to portray our 5th character: the sea. The sea is in fact the reason why the caves exist and it’s the thread that connects our four characters.

 

Did you study filmmaking? Tell me about your path as a visual artist and filmmaker.. I'm also curious about your English because it's great! Did you spend time living abroad?

I didn’t study filmmaking, I studied design which gave me a broad spectrum of skills without focusing on just one expertise. I have always loved cinema and I have always been curious about the world around me. After high school, I remember I wanted to become a photojournalist and travel the world. Then I went to study design and started working as an art director. Over the years I have experimented with different media, but with this project, I realized how interested I am in film-making. In particular, documentary film-making is a beautiful form of art to express your view on the world. Arthur and I had a wonderful experience collaborating together and we are already working on our next project.

Learning English was a long process that started in middle school. I have always been bad at it and I hated it so much. I believe in learning by doing, so when I was 17, I decided to spend one year in Australia to finally learn English. Then during my university studies in Italy, I spent a semester at a university in Bristol and 3 months in NYC for an internship. After I graduated, I moved to Amsterdam where I started working 6 years ago. Now I can finally speak English!!

 

Which filmmakers have influenced you along the way?

Arthur and I love Werner Herzog. He represents a huge inspiration for both of us. I also love the style of old Italian short documentaries, where it was very much a poetic representation of reality with usually a deep male voice narrating and the people filmed were never interviewed. The shorts by Vittorio de Seta, Cecilia Mangini and Luigi di Gianni all did this on a diverse range of topics. I love when reality is portrayed as poetry. I think poetry can be found everywhere all around us.

 

Now having this first filmmaking experience under your belt, is there any part of the filmmaking process that you prefer? 

I have to say I loved every part of it. The research is very compelling because it allows you to learn so many new things. Preparing a treatment is also something I love to do because that’s when the idea starts taking some sort of shape. Shooting is probably the most beautiful part but also stressful, because there is not too much time to think. It's definitely something you craft with experience, so I have a long way to go. I really like editing, being able to decide the rhythm and find the most interesting way to connect the pieces together, as well as thinking about what music can let the images say something hidden.

 

“Grottaroli” will be available to stream June 16 and 17. Click here to learn more about it and to purchase tickets. Click here to watch the trailer.

Labels:

Comments

Post a Comment

Popular posts from this blog

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...
Post a Comment
Read more

'Salvatore Giuliano' blends documentary realism with dramatic storytelling

"Salvatore Giuliano" is a 1962 Italian crime drama directed by Francesco Rosi that dramatizes the real-life events surrounding the life and death of the legendary Sicilian bandit and folk hero. Giuliano rose to notoriety after the liberation of Sicily from fascist control in 1943, when he formed a gang that joined a separatist army. When the army dissolved, he and his gang intensified their outlaw activities. One of their most significant crimes was the Portella della Ginestra incident, during which dozens of men, women, and children were killed or wounded. This act prompted the authorities to launch an all-out war against Giuliano. His defenses slowly crumbled, and on July 5, 1959, his body was discovered in the courtyard of a house in Castelvetrano. That moment serves as the starting point for Rosi's film. Giuliano's fame is tied to his involvement in the Sicilian independence movement and his battles against both the Italian government and the Mafia in the 1940s a...
Post a Comment
Read more

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...
Post a Comment
Read more

Gianfranco Rosi to premiere 'Sotto le nuvole' at Venice Film Fest, exploring Naples' history

Documentary filmmaker Gianfranco Rosi will premiere his much-anticipated latest film at the upcoming 82nd Venice International Film Festival , which runs August 27 - Sept. 6. "Sotto le nuvole" (Below the Clouds)  takes a deep dive into the rich history and culture of Naples and the area surrounding Mount Vesuvius. There has not been much information revealed but so far, we know that the film will focus on themes similar to those explored by Rosi in his previous works, such as the examination of Roman culture in "Sacro GRA" (2013) and Lampedusa's refugee crisis in "Fuocoammare" (2016).  The film's synopsis reads, “The land around Vesuvius is a vast palimpsest. On the surface, underground and even beneath the sea of the modern city of Naples and its surroundings, the memory of history is etched into tunnels, walls and fissures, the remains of women, children and men — statues, buried cities. Only thin layers separate contemporary and ancient life, an...
Post a Comment
Read more

"Roma 11:00" – The Tragic True Story of Desperation in a World of Poverty

There couldn’t have been a more perfect couple than Lucia Bosè and Raf Vallone in Giuseppe De Santis’ 1952 “Roma 11:00.”  A tragic story based on true events, the film follows several young women in post-WWII Rome as they answer a job listing for a typist. When 200 women are in line on one staircase over several floors, a crack leads to the collapse of the entire staircase. Dozens were injured and one was killed. The tragedy spoke to the poverty and desperation that existed for so many Italians in the early 1950s before the ‘58 industrial boom began.  Cesare Zavattini was one of the screenwriters. Elio Petri was the assistant director who interviewed many of the victims and cast a few in supporting roles. In addition to Bosè and Vallone, the film stars Carla Del Poggio, Massimo Girotti, Maria Grazia Francia, Lea Padovani and Delia Scala. The film is set in Largo Circense 37, while in reality the collapse took place in via Savoia 31, in the Salario district, on J...
Post a Comment
Read more