Skip to main content

In the Shadow of a Volcano

An encounter with a legendary director at Italy’s film restoration powerhouse set her on a course for a life in cinema. 

Born in 1979 in Torino, home to the National Museum of Cinema, Gaia Russo Frattasi’s first love was theater. She pursued this passion at the University of Torino. After graduating with a degree in theater history, she discovered L’Ipotesi Cinema, a series of workshops featuring industry professionals and hosted by Italy’s film restoration powerhouse Cineteca Bologna. After attending a workshop taught by veteran director Ermanno Olmi, she decided to change her focus from theater to cinema. Shortly thereafter, she made the documentary “Miriam – Variazioni” about a popular Torino nightclub act. The short film premiered at the 2005 Torino Film Festival and was awarded Best Film or Video.

 

Russo Frattasi has honed her craft over the years, making numerous videos and documentaries with her production company, Moby Film. A few years ago, while accompanying her friend on a research assignment at a weather station on Stromboli, an island dominated by an active volcano, she met her future protagonist, Carolina. The elementary school teacher was selling ceramic art made by her students to raise money for her association, "Scuola in mezzo al mare" (School in the Middle of the Sea). In particular, they needed to buy a satellite dish for remote learning. The story struck the young filmmaker, and that’s when her next project began.  

 

The resulting 2019 documentary, “Scuola in mezzo al mare,” is an enchanting and insightful film that follows Carolina in her quest to provide a comprehensive learning experience for the children of Stromboli while keeping their parents from pursuing education off the island. The documentary features long, uninterrupted shots of life as it plays out, with candid conversations among parents about the benefits of raising their children on the island versus the downsides of growing up in extreme isolation.

“Before doing the actual shooting, I was on the island several times alone with my camera to interview the inhabitants and understand how their life worked, from education, to services, to the relationship with nature, to depopulation,” Russo Frattasi explains in an interview with Fra Noi.

 

After securing funding for the film, she put together a small crew. She chose two women — cinematographer Sabina Bologna and sound engineer Sonia Portuguese — because she felt an all-female crew would be more sensitive to the people’s plight. Her goal was to spotlight the challenges of operating an education system in the shadow of a volcano that erupts about 20 times a day.

 

The film documents the harsh weather changes on the island and their impact on its residents. “Despite the paradisiac summer facade, every winter the community experiences loneliness and isolation. The school often remains closed, and the island inexorably depopulates,” Russo Frattasi explains. 


Watch a few clips from our interview...



The documentary sheds light on the lack of services many Italian territories face due to the massive movement toward large urban centers. Russo Frattasi’s message is that we need to foster a deep relationship with nature and to rediscover ourselves as integral to the ecosystem in which we are immersed. “Nature is not to be seen as an obstacle, but with us as guests,” she says. “We need to ask ourselves if, and how, a life is possible outside the big city.”


The film concludes with a touching and dramatic scene of the students making their way up Mount Stromboli to explore the terrain. They talk among themselves about their fears of living so close to an active volcano, standing over it in amazement as it begins to rumble. Russo Frattasi says that shooting the scene was as incredible as watching it. “We reached the top around sunset time. There was a lot of wind. We almost couldn't keep the camera still on the tripod. The ash rose copiously, and we had to clean the lenses all the time. Shooting while the volcano erupts is an indescribable emotion.”

 

Click here to watch "Scuola in mezzo al mare" with English subtitles on Amazon. To watch more of Russo Frattasi’s work, visit her Vimeo channel at vimeo.com/gaiarussofrattasi.


- Written by Jeannine Guilyard for the January, 2023 edition of Fra Noi Magazine. Click here to subscribe.

Comments

Popular posts from this blog

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn...

Review: Emma Dante's 'The Macaluso Sisters'

In a moving story that spans several decades, “The Macaluso Sisters” follows five orphaned sisters born and raised in an apartment on Palermo’s outskirts. They support themselves by renting out pigeons for events, a unique and symbolic business that reflects their resourcefulness and the transient nature of their lives. Directed by Emma Dante, who adapted the script from her 2014 play of the same name, the film boasts an all-female cast that brings a unique power to the story. It unfolds in three chapters that show how the tragic events of one day haunt the sisters through childhood, adulthood and old age.   The first chapter reveals the tragedy of the youngest sister, Antonella, who dies during a beach outing. She remains a permanent presence in the household, never aging. The film returns again and again to the beauty of the day at the beach when tragedy struck. The apartment is a central character, housing the memories and rage each sister carries inside her. This exploration of...

Director Gianni Di Gregorio explores relationships in later life with 'Never Too Late for Love'

In “Astolfo” (“Never Too Late for Love”), director Gianni Di Gregorio delivers a coming-of-age film for the golden years of life about a retired professor who leaves Rome to return to a tiny mountain village in Abruzzo. The film opens with the title character, played by Di Gregorio, walking through the streets of his Roman neighborhood, groceries in hand, only to find his landlord waiting for him when he arrives home. She is there to announce that he will have to vacate his humble residence to make way for her daughter, who is getting married soon.  After some contemplation, he calls his ex-wife to ask her about an old family castle he split with her in their divorce. When she confirms that a portion of the castle is his for the taking, he gleefully returns to his spacious new home only to discover it has been occupied by a squatter, who turns out to be an acquaintance from his childhood who is also down on his luck. Without hesitation, Astolfo adopts the man as his roommate. ...

Isabella Rossellini Pays Tribute to David Lynch

Three iconic women of Italian cinema took part in the Governors Awards on October 28 in Los Angeles. Sophia Loren gave a heartfelt tribute to her longtime friend and collaborator, director Lina Wertmuller, who received an honorary Oscar for her tremendous body of work that includes classic films like Seven Loves, Swept Away and Il Professore. Isabella shared the stage and translated Wertmüller's acceptance speech. Rossellini gave her own tribute that evening to American director David Lynch. She told the story of how the two met at a dinner when Lynch brought up the script that he was working on. Helen Mirren had turned down the lead role, and he was wondering if perhaps Rossellini would be interested in checking out his script. Well she did and the rest is history. That 1986 film, Blue Velvet , instantly became a contemporary classic and has remained a masterpiece of American cinema. The thriller co-stars Kyle MacLachlan and Dennis Hopper. Set in a small North Carolina town,...

Nicoletta Braschi and Roberto Benigni.. What cinema dreams are made of

The Toronto International Film Festival is wrapping up its retrospective of the cinematic collaboration of husband and wife team, Nicoletta Braschi and Roberto Benigni. Over the last few days, the couple have participated in discussions, Q & A sessions and have introduced several of their films. Today, I attended a screening of "La voce della luna" (The voice of the moon). It was  Federico Fellini's last film and is a wonderful tribute to the director's signature poetic madness. The film gave Benigni the opportunity to team up with fellow beloved comic, Paolo Villaggio, and the two created a truly unforgettable adventure. Today's screening began with an introduction by Benigni. The moments leading up to his introduction were noticeably serious and somewhat tense. Benigni's publicist and TIFF security staunchly guarded his privacy. There was no interaction and no photos were allowed. Guided by ...