Skip to main content

Nostalgia and landscape blend in Delpero's award-winning 'Vermiglio'

A scene from "Vermiglio" (Photo: Cinecittà)
Inspired by childhood nostalgia and memories of her father, Maura Delpero’s “Vermiglio” is a heartfelt story of one family’s experience during the final days of World War II.

Awarded the Silver Lion Grand Jury Prize at the 2024 Venice Film Festival where it premiered, the film is set in the picturesque Alpine mountain village of Vermiglio during the mid-1940s. It follows a schoolmaster’s family of 10 as they navigate life on the bare essentials while grappling with the consequences after a Sicilian soldier, played by Giuseppe De Domenico, deserts the army and seeks refuge with them. The soldier’s romance with the family’s eldest daughter, Lucia, portrayed by Martina Scrinzi, unfolds against the backdrop of a provincial family caught in the traditions of a fading era.

 

The film begins with an intimate portrayal of the Graziadei family as they wake up to the cold light of the wintertime sun. The scene opens with three sisters sleeping side by side in one bed, while two brothers rest in opposite directions in another. Nearby, a baby gently wakes in a crib next to the parents. The next couple of scenes, in which the mother is seen milking a cow and then serving the heated milk to her children, sets the stage for an exploration of the family’s rural life in this remote location in the Val di Sole region of Trentino.

 

Tommaso Ragno stars as Cesare Graziadei, the strong and brooding schoolmaster and head of the family. Cesare is accustomed to being the intellectual, the instructor, the informer. Throughout the film, he is talking and other people are listening.


A scene from "Vermiglio" (Photo: Cinecittà)
The romance between Lucia and Pietro is the most compelling storyline in the film. Delpero presents the Sicilian soldier as strong and quiet like Cesare but more down-to-earth and approachable. Pietro’s silent nature coupled with the Southern vs. Northern Italian language barrier add to his mystery and allure. Cesare appears to feel challenged by the similarities as well as the differences, and he doesn’t readily accept the growing affection between this man and his daughter. 

 

The film explores family dynamics in Italy at a time and place in which patriarchs often decided the fates of their daughters based on narrow-minded perception. Although Cesare is well-schooled, he is shaped by a physical world that doesn’t extend beyond the mountains that surround his tiny village. Lucia is viewed as destined to remain in Vermiglio, while Flavia (Anna Thaler), the youngest and most free-spirited of the bunch, is deemed sharp enough to attend boarding school. 

 

“Vermiglio” is distinguished by its cinematography and set design. Shooting amid the captivating beauty of the Alps, cinematographer Mikhail Krichman beautifully captures the transition of natural light from harsh winter to hopeful spring, serving as both the physical and emotional backdrop for the film. Vito Giuseppe Zito’s set design sets the interior tone with cave-like taverns and primitive homes. The story is slow-moving and quiet, accentuating the grandeur of the snow-covered mountainous landscapes. These powerful elements allow viewers to abandon the present and immerse themselves in a distinctly different time and place.

 

When talking about the film with Cinecittà, Delpero referred to the town in which “Vermiglio” is set as a landscape of the soul, a “family lexicon” that lives inside of her. She said that making the film was an unconscious act of love for her father, his family and their small village. In collaborating with Krichman and Zito, she brings that village to life and plunges the audience into that landscape.

 

“Vermiglio” was shown at numerous international film festivals in 2024 and was presented at the 2025 Palm Springs International Film Festival in January. It was released in select theaters across the U.S. in December of last year and is now available to stream on several platforms, including Amazon, YouTube and Apple TV.

 

- Written by Jeannine Guilyard for Fra Noi Magazine. Click here to subscribe.

Comments

Popular posts from this blog

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

The Timeless Vision of Pier Paolo Pasolini

Pondering his films and poetry, I wonder if the uniqueness of Pier Paolo Pasolini's films was rooted in his unconventional childhood. Born in Bologna in 1922, Pasolini's father was a lieutenant in the army, and his family was always moving. He grew up in various small towns in Northern Italy. After his parents separated, he spent most of his time in his mother's hometown of Casarsa, in the region of Friuli Venezia Giulia. There, he grew to respect the area's peasant culture and began to write poetry in the region's dialect. He studied literature and art history at the University of Bologna and was drafted into the army during World War II. The war proved to be especially tragic for his family as his younger brother was executed by Communist partisans. Following the war, he returned to Casarsa where he worked as a teacher and ironically became a leading member of the Communist party there. Pasolini was later expelled from the party due to allegations of homo...