Abluka (Emin Alper)
Heart of a Dog (Laurie Anderson)
Sangue del mio Sangue (Marco Bellocchio)
Looking for Grace (Sue Brooks)
Equals (Drake Doremus)
Remember (Atom Egoyan)
Beasts of No Nation (Cary Fukunaga)
Per Amor Vostro (Giuseppe M. Gaudino)
Marguerite (Xavier Giannoli)
Robin, the Last Day (Amos Gitai)
A Bigger Splash (Luca Guadagnino)
The Endless River (Oliver Hermanus)
The Danish Girl (Tom Hooper)
Anomalisa (Duke Johnson, Charlie Kaufman)
L’attesa (Piero Messina)
11 minut (Jerzy Skolimowski)
Francofonia (Aleksandr Sokurov)
El Clan (Pablo Trapero)
Desde allá (Lorenzo Vigas)
L’hermine (Christian Vincent)
Behemoth (Liang Zhao)
A Fellini family portrait “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann. Not only was Fellini directing the children, but he was also putting on shows and charging ...
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