Skip to main content

Rocco Talucci to present his Documentary on Screenwriter Enrico Medioli at Cineteca Nazionale

Enrico Medioli and Rocco Talucci
What do you get when you round up a bunch of Golden Age cinema legends to talk about one of their peers? An engaging documentary called, "Ritratto di sceneggiatore in un interno" (Portrait of a Writer). It is a beautiful film filled with nostalgia, wit and recollections of an era gone by.

Filmmaker Rocco Talucci explores the career of renowned writer Enrico Medioli who worked with the likes of Luchino Visconti, Valerio Zurlini and Sergio Leone, and is credited for writing their masterpieces: "Il Gattopardo," "Once Upon a Time in America" and "Ludwig". He also worked extensively in television, creating recent hits like the acclaimed 2007 "War and Peace" and the 2008 miniseries "Coco Chanel."

With "Ritratto di sceneggiatore in un interno", Talucci analyzes the work of Medioli through his unpublished testimonies and those of the people who have worked with him throughout his distinguished career in cinema, such as Claudia Cardinale, Charlotte Rampling and Adriana Asti.

Talucci describes "Ritratto di sceneggiatore in un interno" as "a small independent film that tells a great story: the story of screenwriter Enrico Medioli." He goes on to call the film "a journey through the most beautiful pages of the last fifty years of cinema."

Medioli completely opens up to Talucci sharing his experiences as a screenwriter, working with true legends of cinema.  In addition to information regarding the drafting of the screenplays he wrote, there is a small private portrait on the years of his youth and high school education as a student of the poet Attilio Bertolucci.

Claudia Cardinale in "Rocco e i suoi Fratelli"
Talucci interviewed Claudia Cardinale about her experience working with Medioli. Cardinale played important roles in a number of films written by Medioli, including Visconti's 1961 "Rocco e i suoi fratelli" and Valerio Zurlini's "La ragazza con la valigia".

I've been connected with Rocco Talucci on social media for a while now and what I appreciate most about his perspective is that he truly appreciates the cinema of yesterday.. the Golden Age as we know it but at the same time, he also appreciates the contemporary filmmakers. of today. In a recent interview with Giacomo Aricò for Camera Look, he commented on Cardinale's statement in the film, that the cinema of those years made you dream. He was asked if the cinema of today can still make us dream. He replied by saying, "The cinema of today is different. It is difficult to compare two very different worlds.. but  today's cinema can still make us dream.

Cineteca Nazionale will dedicate May 12 to Enrico Medioli. Two of his works will be shown- "La ragazza con la valigia" and "Gruppo di famiglia in un interno" followed by "Ritratto di sceneggiatore in un interno" with a special Q&A with Rocco Talucci. Click here for more information.

Comments

Popular posts from this blog

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn...

La Grande Bellezza of Sabrina Ferilli

The 2015 Rome Premiere of "Io e Lei" Sabrina Ferilli has been gracing Italian screens, big and small, since the mid-80s. With her recent role in Paolo Sorrentino's international blockbuster, "La Grande Bellezza" (The Great Beauty), audiences throughout the world are getting the chance to see why she is one of Italy's most beloved treasures. Born in Rome in 1964, Sabrina Ferilli is the daughter of Giuliano Ferilli, the former leader of the Communist Party of the Lazio Region. Ferilli attempted to study her craft at Rome's Experimental Center of Cinematography, but later decided to abandon her studies and dive right into her career. Time has proven that she made the right choice. With dozens of movies to her credit, Ferilli has appeared on television and on the big screen, becoming a household name in Italy. Ferilli is the very portrait of Italian beauty with her infamous figure, long brown locks and dark eyes. But as cliched as it may sound, s...

Director Gianni Di Gregorio explores relationships in later life with 'Never Too Late for Love'

In “Astolfo” (“Never Too Late for Love”), director Gianni Di Gregorio delivers a coming-of-age film for the golden years of life about a retired professor who leaves Rome to return to a tiny mountain village in Abruzzo. The film opens with the title character, played by Di Gregorio, walking through the streets of his Roman neighborhood, groceries in hand, only to find his landlord waiting for him when he arrives home. She is there to announce that he will have to vacate his humble residence to make way for her daughter, who is getting married soon.  After some contemplation, he calls his ex-wife to ask her about an old family castle he split with her in their divorce. When she confirms that a portion of the castle is his for the taking, he gleefully returns to his spacious new home only to discover it has been occupied by a squatter, who turns out to be an acquaintance from his childhood who is also down on his luck. Without hesitation, Astolfo adopts the man as his roommate. ...

Nicoletta Braschi and Roberto Benigni.. What cinema dreams are made of

The Toronto International Film Festival is wrapping up its retrospective of the cinematic collaboration of husband and wife team, Nicoletta Braschi and Roberto Benigni. Over the last few days, the couple have participated in discussions, Q & A sessions and have introduced several of their films. Today, I attended a screening of "La voce della luna" (The voice of the moon). It was  Federico Fellini's last film and is a wonderful tribute to the director's signature poetic madness. The film gave Benigni the opportunity to team up with fellow beloved comic, Paolo Villaggio, and the two created a truly unforgettable adventure. Today's screening began with an introduction by Benigni. The moments leading up to his introduction were noticeably serious and somewhat tense. Benigni's publicist and TIFF security staunchly guarded his privacy. There was no interaction and no photos were allowed. Guided by ...

Paola Cortellesi shines as La Befana in a family comedy blending tradition and modernity

A wildly successful Christmastime film, earning over $8 million at the box office when it premiered in 2018, "La befana vien di notte" (“The Legend of the Christmas Witch”) is a wholesome holiday comedy that the whole family can watch. Directed by Michele Soavi, the film stars two of Italy's most diverse contemporary actors, Paola Cortellesi and Stefano Fresi, as gift-giving foes. Paola (Cortellesi) is a grammar schoolteacher by day, but at night, she turns into La Befana, the Christmas witch, a mystical being who brings gifts to the good kids and coal to the naughty ones.   On one of her Befana nights, she was attacked by a dog that tore her Befana gift list. When she returned home from a night of riding on her broomstick, delivering gifts to children all over the world, she realized that she had forgotten one child. When she discovered the torn-up list, she figured out who the child was, got back on her broom, and headed straight to his house. Having arrived late, the b...