Skip to main content

Basilicata: Terra di Cinema - Interview: Actor Walter Nicoletti of “Jesus VR - The Story of Christ”

Cinema history is about to be made at the 73rd edition of the Venice FilmFestival coming up in September. The festival just announced the world premiere screening, in a special 40-minute preview, of “Jesus VR - The Story of Christ”, the first Virtual Reality feature-length film ever made. The 90-minute film covers all of Jesus’s life and death, from his baptism to the Last Supper to his crucifixion. Shot in Basilicata’s ancient Sassi district of Matera, the film will be released to the public in December on all major mobile and premium VR platforms.

“I am beyond thrilled to be a part of this groundbreaking project. It’s as exciting a take on the story of Christ as I’ve ever seen and its production values will absolutely set a new benchmark for virtual reality,” said executive producer Enzo Sisti in a statement about the film. Sisti worked on Mel Gibson’s “The Passion of the Christ”, which was also filmed in Matera.

“The viewers truly feel they are there with Jesus and his disciples,” director David Hansen said in a statement. “This is the most powerful story of all time and virtual reality is the perfect way to tell it.”

Matera-born actor Walter Nicoletti plays the role of the disciple, James. Earlier today, we spoke about his experience working on the film and what he thinks about all the film production taking place in his region of Basilicata.

Tell me about your experience working on this film. Since Matera is your hometown, it must have been poignant to be a part of such an important production.
It was an amazing international experience that will make history, considering that "Jesus VR - Story of Christ" is the first feature film shot in 360-degree 4K video (virtual reality). I was offered the role after attending a casting call in Matera, the city where I was born and still live. I work here as an actor and I am also the founder of Voce Spettacolo (an online news journal). This was my first opportunity to play an English-speaking role. The film was shot using the biggest VR production crew ever. Hundreds of technicians and collaborators worked together to make this film. The cast is composed of extraordinary actors with great rapport and mutual respect for each other that has lasted long after the shoot.

How much of the cast and crew were locals?
The cast consists of professional actors from around the world and from Basilicata and Puglia. The crew was made of up of Italians and Americans from Cinecittà and Los Angeles who joined together to tell this story. Many extras were selected in Matera.

What were some of the locations?
The film was shot entirely in Matera, Sassi, and part of the Murgia Materana- fantastic natural locations. All the area is amazing for any type of film project. You can also use it for westerns or sci-fi movies, like I did with my last movie called TEK, the first Italian cyberpunk western. I produced it and I also play the main character. It's directed by my friend David Cinnella, an Italian-American director.
 

Walter Nicoletti (left)
Tell me about your character, the disciple James (Giacomo).
I played the role of the disciple James (James The Lesser), also called "the right", and founder of the Church of Jerusalem after the death of Jesus. I studied so much for this role and I felt strong emotions for the character. I grew artistically and spiritually because I shot some scenes near the Messiah. I always felt a great positive energy on the set that sent me back in time to relive the millennia of Christian history near my home. I felt a great responsibility because I had to play one of the twelve disciples, always regarded as great humans for all who seek the Way, the Truth and the Life. Thanks to this role, I realized that life is extraordinary.

What did you do to prepare for the role?
When I was informed that I got the part, I spent my days studying intensely. I did a lot of historical research on the character. I documented his life through books, videos and documentaries. I traced the history of the Bible to understand the essence, the spirit and humanity of this man who gave service to God. 

What are your thoughts on the increase in film production in Basilicata over the last couple years? What are the qualities of the region that draw film crews?
Basilicata is an extraordinary land to tell any story. When I travel by car, I am always enchanted by looking at the scenery and nature. Then I think about the films that could be made here. Hollywood has discovered our territory, but this is not enough because we need to work on giving opportunities also to young, talented Lucani around the world. There are young people who have extraordinary qualities, strong creativity and professionalism, but they had to move away from their families and this is very sad. In recent years, I founded Voce Spettacolo and I created a group of filmmakers to export their films all over the world. The movie industry is growing here, so it's time to write the story of our future. Our hearts will always continue to love Lucania and the seventh art (cinema).
 
From September 1st to the 4th, the Venice Film Festival will offer screenings of the technology applied to the making of “Jesus VR – The Story of Christ”. The screenings will be held in the new VR Theatre, on the second floor of the Casinò, which will be equipped with 50 VR Head Gears for individual viewing on seats that pivot 360°. Click here for more information about the screening.

Comments

Popular posts from this blog

7 Days - 7 Women: Interview with Actress Sabrina Impacciatore

  Photo by Rossella Vetrano On Day 6 of our series, 7 Days - 7 Women, in which we are profiling seven strong, talented women working as filmmakers, writers or visual artists, we talk with actress Sabrina Impacciatore about the diversity of her roles. Whether she's playing a devoted mother trying to protect her child, Jesus Christ's "Veronica" in Mel Gibson's controversial film, "Passion of the Christ" or a young woman coming of age, Impacciatore escapes into the life and mind of each character she takes on, sometimes so deeply that she believes she is actually them.   It's a fine line between reality and fiction, but she treads it carefully and anyone watching her performance benefits from her emotional connection to the character that she becomes. I spoke with Impacciatore at the 2010 Open Roads: New Italian Film series in New York City. We talked about her lifelong dream of becoming an actress. She also gave me some insight into the diff

A Conversation With the Man Who Played Pasolini's Christ

There have been countless cinematic interpretations of the books of the Bible, but few have stood the test of time. One that qualifies as a classic is Pier Paolo Pasolini’s 1964 “Il Vangolo secondo Matteo” (The Gospel According to St. Matthew). Considered by the Vatican to be among the best film adaptations of one of the Gospels, Pasolini’s 1964 film was shot in the regions of Calabria, Puglia and Basilicata. In an interview with RAI television while on location in Matera, Pasolini talked about the reasons for shooting there. “I chose two or three places in Basilicata. One is Barile, a town of Albanians. I needed a place for Bethlehem. Another location is Matera because it reminded me of Jerusalem,” he explained. Pasolini’s interpretation of St. Matthews’s Gospel is pure, with no added commentary. He said that he followed the Gospel word for word without adding a single syllable. He explained in the interview that his idea to make the film happened by coincidence. “In October of 19

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

Michelangelo Frammartino's "Il buco" — Unearthing our past

When a team of speleologists descended 700 meters into the Bifurto Abyss in Cosenza, Calabria, in 1961, they discovered that the underground caverns were the third deepest in the world and the deepest in Europe. Italian filmmaker Michelangelo Frammartino retraces that mission six decades later with a cast of locals and their livestock in his latest documentary, “Il buco” (“The Hole”). Inspiration for the film came while he was on location shooting his 2007 documentary, “Le quattro volte” (“Four Times”). Officials in the Pollino mountains, which stretch between Calabria and Basilicata, showed him what appeared to be just another sinkhole. Frammartino failed to understand their enthusiasm until they tossed a large stone into the void. It disappeared without making a sound. He was so overcome by the experience and the eerie landscape, he was haunted for years, compelling him to make his current film, one of many rooted in nature. “I was born in Milan, but my family is from Calabria. My pa

Nicoletta Braschi and Roberto Benigni.. What cinema dreams are made of

The Toronto International Film Festival is wrapping up its retrospective of the cinematic collaboration of husband and wife team, Nicoletta Braschi and Roberto Benigni. Over the last few days, the couple have participated in discussions, Q & A sessions and have introduced several of their films. Today, I attended a screening of "La voce della luna" (The voice of the moon). It was  Federico Fellini's last film and is a wonderful tribute to the director's signature poetic madness. The film gave Benigni the opportunity to team up with fellow beloved comic, Paolo Villaggio, and the two created a truly unforgettable adventure. Today's screening began with an introduction by Benigni. The moments leading up to his introduction were noticeably serious and somewhat tense. Benigni's publicist and TIFF security staunchly guarded his privacy. There was no interaction and no photos were allowed. Guided by his entourage, he walked quickly from the Green Room to th