Skip to main content

Pietro Germi: An Old World Comedy Genius Still Relevant Today

One of the masters of commedia all’Italiana, he had a talent for deconstructing complex behaviors while maintaining his sharp sense of humor.

Born in 1914 in northern Italy but with an affinity for the South, director Pietro Germi emerged as a leading filmmaker toward the end of the neorealist period and was instrumental in creating the commedia all’Italiana genre. What made his films unique was his ability to grapple with the social issues that were dominating Italy at the time, posing questions that needed to be asked, but in a way that was entertaining, clever, funny and visually beautiful.

The 1954 film Mid-Century Loves is a 52-minute gem that contains five short tales of love directed by Pietro Germi, Mario Chiari, Roberto Rossellini, Antonio Pietrangelo and Glauco Pellegrini. Each vignette is a decadent piece of cinematic perfection with richly detailed sets, regional music and spectacular cinematography. Germi’s segment, War 1915-18 follows the struggles of a young wife and soon-to-be mother whose husband is sent off to war. The segment begins as a draft announcement is posted in the town center and the town’s frustrated schoolmaster (Lauro Gazzolo) must read it to his distracted, illiterate students. Antonio (Albino Coco) is relieved to hear that his birth year has not been listed yet, so he decides to marry his love, Carmella (Maria Pia Casilio). Before long, she is pregnant and he is sent off to basic training. Carmella decides to pay him a surprise visit just before he is sent to the front line. When the war ends, she is waiting with her baby as the soldiers arrive home.

Marcello Mastroianni in Divorce Italian Style
“The serenades of the South. The sweet, warm, exhausting Sicilian nights. The whole time I’d been away. The memory of those nights or one particular night had filled my days with longing and nostalgia.” Those words flow through the mind of Ferdinando Cefalù (Marcello Mastroianni) as he gazes out the train window at the Sicilian countryside in the opening sequence of Germi’s 1961 comedy Divorce Italian Style. The film was among the first revelations of Germi’s ongoing love affair with the Sicilian culture.

Ferdinando is married to Rosalia (Daniela Rocca), a nagging but well-meaning wife who won’t leave him alone. In search of some peace and quiet, he falls in love with the mild-mannered and charming Angela (Stefania Sandrelli), his first cousin through marriage. His feelings for the young girl become all consuming, and he daydreams about ways to kill Rosalia so that he can be with Angela. Finally, inspired by a local murder trial in which the wife, a victim of adultery, shot her husband to save her family’s honor, he concocts a plan to find a man to seduce his wife so that he can do the same. He buys her a sexy black lace dress and takes her out on the town to see how the locals react. Indeed, she catches their attention, so the plan is set into motion. The film garnered three Oscar nominations, including Best Actor in a Leading Role and Best Director. It was awarded an Oscar for Best Original Screenplay. It was the first of many collaborations between Germi and Sandrelli.

A Scene from Seduced and Abandoned

Germi teamed up again with the actress for Seduced and Abandoned, his follow-up masterpiece in the commedia all’italiana genre. The film opens with Agnese played by a gorgeous Sandrelli wearing a fitted black dress walking through the narrow streets of her Sicilian village. As she heads to confession, a Sicilian troubadour accompanied by a mandolin tells her story of giving in to lustful feelings for her sister’s fiancé, Peppino. Upon entering the confessional, she breaks down in tears, only to have the priest further shame her. Peppino announces that he doesn’t want to marry a girl who succumbs to temptation, even if it was with him, and flees. A chase ensues as the singing/narrator describes Agnese’s father’s determination to save the family’s honor. Peppino won’t budge, and the family lawyer comes up with a plan to shoot Peppino in a way that would be easily defended in court. The film won a whole slew of awards, including a David Di Donatello for Best Director.

Stefania Sandrelli and Dustin Hoffman in Alfredo, Alfredo
Another notable work is Germi’s 1972 film Alfredo, Alfredo. Dustin Hoffman is Alfredo Sbisà, a down-to-earth, shy guy who falls in love with the beautiful Maria Rosa (Sandrelli). The film begins with the couple meeting with a lawyer to finalize their divorce. As Alfredo contemplates the spell that Rosa had cast upon him, he tells their story through a flashback beginning on the fateful night they met. When Alfredo saw Maria Rosa, it was love at first sight and he is thrilled to learn the feeling is mutual. Little by little, Maria Rosa reveals her controlling, jealous tendencies, which Alfredo believes marriage will solve. But after the two are wed, life gets more chaotic and ultimately becomes unbearable. During a rare night out with his best friend, Alfredo meets Carolina (Carla Gravina), the polar opposite of Maria Rosa. They fall in love and suddenly Alfredo finds himself the leader of a movement to make divorce legal in Italy. Although the film is a comedy, the story is complex and tackles real-life issues of personality disorders and emotional abuse. It’s not a particularly well-known movie but an example of the masterful storytelling by Germi’s generation of iconic filmmakers. The film won a David Di Donatello for Best Film and scored Hoffman honorary citizenship in the town of Ascoli Piceno, located in the central region of Marche, where it was shot.

Germi passed away two years later in 1974 at the age of 60. In 2009, a documentary was made featuring his peers and collaborators. A treasure trove of old interviews, the film includes Claudia Cardinale, Mario Monicelli, Stefania Sandrelli and Carlo Verdone. Titled, Pietro Germi: The Man with the Cigar in His Mouth, it is available to stream at www.criterionchannel.com.

All of the above films are available stateside. Mid-Century Loves is available to stream on Amazon. Divorce Italian Style and Seduced and Abandoned are available to stream on the Criterion Channel. The DVD for Alfredo, Alfredo is available on Amazon. A low-quality version can be found here on YouTube. (Click on the titles for the links to see the films.)

Seduced and Abandoned is also available to stream on Amazon..



- Written by Jeannine Guilyard for Fra Noi Magazine, August 2019 

Comments

Popular posts from this blog

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

Ornella Muti: Four decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with La Moglie più bella (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, Sole nella pelle (Sun on the Skin) in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies with the political climate, the breathtaking seaside as well as the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and succeeds in capturing the innocence and beauty of first love.   Muti made her American film debut in 1980 with Flash Gordon . She played the role of Princess Aura.  She’s appeared in two other American films, including, Oscar , which was directed by John Landis and featured Don Ameche, Chaz Palminteri, and...

Iconic scenes from 'Totò, Peppino e la malafemmina' highlight Italy's North-South divide

If you’re in the mood for a quintessential old-school Italian comedy, look no further than “Totò, Peppino e la malafemmina.” Directed in the mid-1950s by Camillo Mastrocinque, the film has stood the test of time. Starring two of Italy’s most beloved comic actors, Totò (Antonio De Curtis) and Peppino De Filippo, it is widely regarded as one of the country’s most iconic comedies, showcasing mid-century Neapolitan humor. The film also features a young Nino Manfredi at the beginning of his prolific six-decade career. “Totò, Peppino e la malafemmina” is the story of two simple, old-fashioned brothers from Naples, Antonio and Peppino Caponi (Totò and De Filippo respectively), who embark on a trip up north to check on their young nephew Gianni. Gianni has moved to Milan and fallen for a seductive nightclub dancer named Marisa (Maria Luisa Mangini, aka Dorian Gray), whom they refer to as a “malafemmina,” meaning a “bad woman” or femme fatale. Believing she is corrupting him, Totò and Peppino ...

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn...

Cineuropa's Interview with Michele Placido

It was announced this week that Michele Placido's new film, "7 minuti" will be shown at this year's Rome Film Festival. 11 amazing actresses women star in "7 minuti" by Michele Placido , a drama co-produced by Italy, France, Spain and Switzerland and being distributed by German company Koch Media. The cast features Cristiana Capotondi , Ambra Angiolini , Fiorella Mannoia , Maria Nazionale , Ottavia Piccolo , Violante Placido , Sabine Timoteo , Anne Consigny , Mimma Lovoi and Clémence Poésy . The film is based on the play of the same name by Stefano Massini, who wrote the screenplay with Placido, and is the story of 11 women, a mixture of manual labourers and office workers, who are called to the negotiation table when the owners of the textiles company they work for sell the majority of their shares to a multinational. In a short space of time they must decide, for themselves and on the behalf of their fellow colleagues, whether to accept the...