Skip to main content

"Roma 11:00" – The Tragic True Story of Desperation in a World of Poverty

There couldn’t have been a more perfect couple than Lucia Bosè and Raf Vallone in Giuseppe De Santis’ 1952 “Roma 11:00.” 

A tragic story based on true events, the film follows several young women in post-WWII Rome as they answer a job listing for a typist. When 200 women are in line on one staircase over several floors, a crack leads to the collapse of the entire staircase. Dozens were injured and one was killed. The tragedy spoke to the poverty and desperation that existed for so many Italians in the early 1950s before the ‘58 industrial boom began. 

Cesare Zavattini was one of the screenwriters. Elio Petri was the assistant director who interviewed many of the victims and cast a few in supporting roles. In addition to Bosè and Vallone, the film stars Carla Del Poggio, Massimo Girotti, Maria Grazia Francia, Lea Padovani and Delia Scala.

The film is set in Largo Circense 37, while in reality the collapse took place in via Savoia 31, in the Salario district, on January 15, 1951. The square with the palace was entirely rebuilt in the studio by the famous French scenographer Léon Barsacq.

Watch this :14 second clip I edited for Instagram. 


Lucia Bosè passed away in March at the age of 89 due to complications related to Covid-19. Her work in the early ‘50s before she got married and moved to Spain is exceptional. She had extraordinary beauty and such a unique way about her.

Click below to watch “Roma 11:00.”  It's available on YouTube. Unfortunately, there are not subtitles. 






Comments

Popular posts from this blog

New faces of Italian cinema

Angelo Iannelli With the 2012 film festivals just about wrapped up, we saw a big emphasis this year on newly emerging and independent filmmakers. This was most notable in the Venice Film Festival's Horizon's program, which gave these filmmakers an unprecedented amount of visibility as the program reached out to people all over the world via the internet.  To mark this current trend, I recently caught up with two independent filmmakers in Rome: Angelo Iannelli and Vito Napolitano. Each filmmaker has experience on both sides of the camera. Their origins are based in the south of Italy but they are now living in Rome. Angelo Iannelli was born in Benevento in the region of Campania, while Vito Napolitano is from Lecce in Puglia. What I enjoyed the most about our conversation is the passion with which the two young filmmakers speak about cinema. They are so enthusiastic and about their craft, they reel you right into their dreams. The three of us recently met up at the Li

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legendary

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew that I would have to find out mor

Donald Sutherland and Helen Mirren navigate dementia in Paolo Virzìs 'The Leisure Seeker'

“The Leisure Seeker” is Italian director Paolo Virzìs first English-language feature film. Starring Helen Mirren as Ella and Donald Sutherland as John, it follows a couple who leave town, traveling from Massachusetts to Florida, without informing anyone, including their two adult children. The kids find out about their departure when their son, Will, pays them a visit and is informed by the couple’s neighbor that she heard them depart very early in the morning in their 1975 Winnebago, which bears the name of the film’s title. Will then launches a hunt to find his parents and return them safely home, but Ella has other plans. She intends to take John, an intellectual and aficionado of Ernest Hemingway, to the Hemingway Home & Museum in Key West.   John is grappling with dementia and Ella, who copes with her sorrow by drinking a steady stream of whiskey, is clearly knocking on death’s door. “The Leisure Seeker” is a testament to their right to spend their final days as they wish — tr