Cesare Zavattini: A Screenwriter Who Helped Define Italian Cinema

He may not be a household name, but he was a major force behind the rise of the neorealism movement and Italy’s Golden Age of Cinema.

Screenwriter Cesare Zavattini was born in the region of Emilia-Romagna in 1902, earning a law degree before turning his attention to writing. In 1930, he moved to Milan to work at the Rizzoli publishing company. Five years later, he met Vittorio De Sica. They would go on to make 20 films together, including the neorealist classics “Sciuscià” (Shoeshine) (1946), “Ladri di biciclette” (The Bicycle Thief) (1948), “Miracolo a Milano” (Miracle in Milan) (1951) and “Umberto D.” (1952).

Zavattini worked on more than 80 films with many of the great directors of Italian cinema. Among them was Giuseppe De Santis, who collaborated with Zavattini in 1952 on “Roma 11:00.” A tragic story based on true events, the film follows several young women in post-WWII Rome as they answer a job listing for a typist. With 200 applicants waiting in line for an interview, the staircase they’re standing on collapses, killing one woman and injuring dozens more. The tragedy spotlighted the poverty and desperation so many Italians endured in the early 1950s. Zavattini co-wrote the script and interviewed many of the actual victims, a few of whom were cast in supporting roles. Click the image below watch it on YouTube.

Zavattini’s words graced the script of Dino Risi’s 1955 comedy “Il segno di Venere” (The Sign of Venus), which features a host of Golden Age legends, including De Sica, Sophia Loren, Alberto Sordi and Raf Vallone. The timeless tale follows the amorous misadventures of Cesira (Franca Valeri), who is frequently overshadowed by her beautiful cousin Agnese (Loren). After having her fortune told by a tarot card reader, Cesira meets a flurry of possible suitors who turn out to be more trouble than they’re worth. Click here to watch it on Netflix.

Zavattini came up with the concept for the film “L’amore in città” (Love in the City), a collection of short stories based on actual events. The 1953 compilation features one vignette co-directed by Zavattini. “Storia di Caterina” tracks the plight of a young, single Sicilian mother who leaves for Rome after being shamed in her hometown. When she loses her job as a maid, she roams the streets of the Eternal City with her toddler in tow looking for work. Desperate to provide for her son, she decides to abandon him in a park, hoping a wealthy family will take him in. He’s brought to a police station instead, where he’s reunited with his mother. The emotional impact of the story is heightened by the fact that the real-life mother plays herself.

Among Zavattini’s last collaborations with De Sica before the director’s death in 1974 was the 1970 war drama “I girasoli” (Sunflower). Shot in Italy and Russia, the heart-wrenching story brings together screen legends Marcello Mastroianni and Loren for one of the most powerful performances of their onscreen love affair. At the start of the film, Antonio (Mastroianni) must leave his new bride, Giovanna (Loren), to fight on the Russian front. After a near-death experience, Antonio has a brief episode of amnesia and marries the young Russian woman who saved his life. Though Antonio is listed as missing in action, Giovanna sets out to find him in Russia, leading to an explosive reunion. The film is a great example of Zavattini’s signature writing style: a human story that tugs at the heartstrings.

Zavattini’s impact on the film industry extends well beyond the written word. In 1967, he founded the Zavattini Municipal Library, and a decade later, he created the Audiovisual Archive Foundation of the Workers’ and Democratic Movement, which he oversaw until his death in 1989. The foundation still serves as a hub for researching, collecting and storing historical audiovisual work. In 2006, Centro Culturale Zavattini was established in his honor to foster young writers and filmmakers.

Stream Zavattini's films on Amazon..

- Written by Jeannine Guilyard for the February issue of Fra Noi Magazine. Click here to subscribe.

Comments

Luminous Legacies: Yoichi Ohira’s Murano Glass at Magazzino Italian Art

A new exhibition in Cold Spring, New York, is bringing the luminous legacy of Murano glassmaking into focus through the work of Japanese artist Yoichi Ohira. “Yoichi Ohira: Japan in Murano” is on view at Magazzino Italian Art until February 2027. The exhibit showcases the work of Ohira, who became a leading figure in the design of Venetian glassworks on the island of Murano. The exhibition features works that highlight the uniqueness of Ohira’s art across the decades of his career. Ohira’s earliest Murano works blend Venetian glass techniques with his own style. These pieces show balanced shapes, clear surfaces, and striking color combinations. His Venezia e l’Oriente (Venice and the Orient) decanters reflect Venice’s ties to the East, creating vases inspired by Marco Polo’s tales with a modern twist. The exhibition shows Ohira’s respect for Murano’s glass masters, displaying objects alongside preparatory drawings that map ideas to the final works of art. It also explores ho...

The Legend of Alberto Sordi - Rome's Eternal Son

′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′ - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann. Not only was Fellini directing the children, but he was also putting on shows and charging ...

In Conversation with Talia Shire

She has immortalized two of the most memorable characters in American cinema and now she’s promoting her new film that mirrors issues facing the working class. Talia Shire became a household name in the 1970s with her role as Connie Corleone in "The Godfather" and Adrian Balboa in "Rocky"– two characters that went on to experience tremendous growth in the sequels of both films. Shire and her brother, collaborator and director Francis Ford Coppola grew up in a family that embraced the arts. Their father Carmine Coppola was a renowned flutist and composer. He often took his children on the road when he performed. So there was always that creative energy and sense of adventure present in their childhood and adolescent years. “What you have to understand is that Francis is probably the greatest writer. He and Mario (Puzo) did Shakespeare and the Greeks. So people who love "The Godfather" are really listening to literature. He went on and did what ...

Isabella Ferrari- the Damsel and the Thinker

Isabella Ferrari is a versatile actress whose trademark pouty lips and intense, melancholy eyes have been gracing Italian screens for more than three decades. Born in Piacenza on March 31, 1964, Ferrari has perfected the art of playing contrasting roles like the damsel in distress and the complicated, intellectual. Influenced by Italian auteur cinema, which encompasses the neo-realistic approach to filmmaking, she delivers powerful performances with each role she tackles. Ferrari's small screen debut goes back to 1981 in Gianni Boncompagni's television program, "Under the Stars." Two years later, she made her big screen debut in the summer comedy, "Il ras del quartiere." Diego Abatantuono, the star of the Oscar winning film, "Mediterraneo," co-wrote and starred in the film, which put Isabella Ferrari on the map and she hasn't stopped working since. Open Roads 2005: Isabella Ferrari, Antonio Monda and Renato De Maria With doz...

Italian Cinema Today

Search This Blog