|The cast of Human Capital|
The Wikipedia definition of human capital is- the stock of knowledge, habits, social and personality attributes, including creativity, embodied in the ability to perform labor so as to produce economic value. Well, the film, which was adapted from American writer, Stephen Amidon’s book pretty much covers all these attributes. The story begins after a cyclist is run off the road. That incident sets the stage for a rollercoaster ride of drama, egos, greed, opulence and destruction. The director’s visual expression of the novel has drawn incredible performances from his actors. Virzì has a history of empathizing with his characters to really get into their heads, which in turn leads to complete onscreen transformations, and it helps to have some of the most talented actors in Italy today, such as Fabrizio Bentivoglio, Valeria Golino, Valeria Bruni Tedeschi and Fabrizio Gifuni interpreting those roles.
Born in the northern seaside town of Livorno in 1964, Paolo Virzì has become one of the most respected and innovative directors of his generation. He is known for utilizing the classic film genre, Commedia all’italiana, which was created by iconic filmmakers like Mario Monicelli and Pietro Germi, and is reflective of Italian pop-culture. It’s a way in which Italians could make fun of themselves even in the darkest of days. It was especially popular in the years following World War II when Italians really did need something to make them laugh. Caterina va in città is a great example of Virzì’s interpretation of this style of filmmaking with the namesake character, new to a school, just trying to fit in, faces growing pains and peer pressure while her parents are total train wrecks just trying to get by themselves. This recipe makes us laugh hysterically while feeling sorry for poor Caterina, hoping she could meet a least one sincere friend. It certainly helped Virzì to have veteran actors like Sergio Castellitto, Sergio Rubini, Margherita Buy and a guest appearance by TV Host, Maurizio Costanzo to pull off this Commedia all’italiana more than half a century after it was born. What’s so unique about Virzì’s work is the thin line of comedy and tragedy upon which he balances, and again this was very apparent in Caterina va in città.
|Moi con Virzì in NYC|
Click here to watch the film’s trailer and to find a theater in your area.