Skip to main content

Archival Videos Reflect Italy's Tumultuous Past

Cesare Zavattini on the set of Vittorio De Sica's "L'oro di Napoli"
The Audiovisual Archive Foundation of the Workers' and Democratic Movement (AAMOD) was established in the late 1970s. Filmmaker Cesare Zavattini oversaw operations during its first 20 years with the main goal of researching, collecting and storing historical audiovisual documents such as cinema, newsreels and multimedia. Much of the content includes documentaries and video essays covering numerous topics such as social movements, catastrophic events, post-war conditions and culture.

In 1983, the archive was declared a place of “considerable historical interest” by the superintendent of the region of Lazio. Over the last decade, many clips have been uploaded to YouTube. Although most of the clips are in Italian without English subtitles, the site is worth looking through if only to see actual video of life in Italy over the last century captured by photojournalists documenting history. Go to http://patrimonio.aamod.it/aamod-web/film and click on the various squares for categorized historic archival videos.

Below are a few that I intend on watching. I have to admit that my Italian is not good enough to understand 100% of the dialogue and narration in these. However, I find that the captivating video makes up for any words I can't quite catch.

“Trevico-Torino. Viaggio nel Fiat-Nam” – 1972
Docu-fiction by Ettore Scola about the living conditions southern Italians were forced to endure upon relocating to the FIAT company’s Torino manufacturing plant
Click here to watch it.

"La follia di Zavattini" – 1981
Documentary by Ansano Giannarelli made during the shooting and editing of Cesare Zavattini's 1982 film, "La veritaaaĆ "
Click here for more information.

"Sirena operaia" – 2000
Documentary by Gianfranco Pannone about factory workers in the 1960s and '70s featuring excerpts from actor Alberto Bellocchio's book "Il Saggiatore"
Click here for more information.



"La tragedia del Vajont" – 1964
Documentary by Luigi Di Gianni about a destructive landslide in northern Italy in 1963
Click here for more information. 



"CosƬ vicino, cosƬ lontano" – 1970
Video essay by Romano Scavolini on the neighborhood, Ostiense, located near Rome's Fiumicino Airport
Click here for more information.



"Gli anni del dopoguerra e della guerra fredda" – 1996
An anthology by Carlo Lizzani that traces some of the most dramatic moments of post-WWII Italy
Click here for more information.


I am looking forward to watching these documentaries and will update the list with more clips in the future. Enjoy!

Comments

Popular posts from this blog

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...