Skip to main content

Officine La Rossa: The Perfect Synthesis Between Culinary Excellence & Architectural Beauty

Written by Sergio Ragone

After more than a year of closures caused by the fight against Covid, Italian catering restarts from Made in Italy and from the excellence of the territory. An example of how this strategy is successful is offered to us by the newly created platform "Officine La Rossa," a hub of Lucanian food and wine excellences, which recently opened in Rotonda, a village of extraordinary beauty and home of the excellent red aubergine DOP. 

The creator of the project, which makes use of the collaboration with the Lucanian Coldiretti, is Franco Bruno who presented the basic idea of the Officine as follows: "Our challenge is to welcome the many tourists who come to Rotonda every year in the Pollino Park," explained Bruno. He went on to say, "In this structure, they can taste the best of agri-food products made in Basilicata; an initiative that aims to promote the best synergies between sustainable tourism and food combined with the typical hospitality of the Lucanian communities." 

The platform focuses entirely on the food and wine of the area, hinging on the recognized quality of the products and the excellences that are emerging. All the proposed products are related to “I am Lucanian, an agri-food selection promoted by Coldiretti of Basilicata. This union also includes the choice of the strategic partner that "Officine La Rossa" made for the care of the design and set-up of the restaurant, Fimel. This new extraordinary story looks to the future with a deep respect for the past and with its roots firmly planted in the land and in the Lucanian traditions.


The architect, Mariangela Meliante, manager and creative director of the historic ho.re.ca company, tells the story of the work done by Fimel: "The process that led us to the result has been articulated and involved structural adaptation work to join two adjacent rooms and bring them back to their original shape. We have thus restored the old size to ensure an adequate surface to host and optimally promote the top of the agri-food production made in Basilicata, in synergy with Io sono Lucano promoted by Coldiretti Lucana. 

The room is accessed by two glass doors. A selection of wooden furnishings and iron structures adorn the space, harmoniously distributing a warm Lucanian atmosphere. An imperious glass-cut counter catches the eye from the entrance. The counter becomes a symbol par excellence of the opulence of Lucanian agro-food products, given the powerful offer of podolic, goat, pecorino and salami from black pigs and the many products of excellence. Lush aromatic plants of thyme, mallow, rosemary, oregano and basil as well as ferns and ivy decorate the convivial environment with naturalness and authenticity. The cascading lights in wine red rope interrupt the play of the contrasting beams with a classic-style checkered floor, creating a deliberate game of references to the workshop intended as a place for master craftsmen who with skilled hands are able to transform the raw material into a work of art, in this case culinary in an osmotic relationship with the patrons, without filters to testify the passion and authenticity of Basilicata."

In conclusion, “Officine La Rossa” has all the right ingredients to conquer the palates of travelers and fascinate their eyes with the beauty of the details. The result is a mix of all-Italian excellence and an  extraordinary future destination.

Comments

Popular posts from this blog

7 Days - 7 Women: Interview with Actress Sabrina Impacciatore

  Photo by Rossella Vetrano On Day 6 of our series, 7 Days - 7 Women, in which we are profiling seven strong, talented women working as filmmakers, writers or visual artists, we talk with actress Sabrina Impacciatore about the diversity of her roles. Whether she's playing a devoted mother trying to protect her child, Jesus Christ's "Veronica" in Mel Gibson's controversial film, "Passion of the Christ" or a young woman coming of age, Impacciatore escapes into the life and mind of each character she takes on, sometimes so deeply that she believes she is actually them.   It's a fine line between reality and fiction, but she treads it carefully and anyone watching her performance benefits from her emotional connection to the character that she becomes. I spoke with Impacciatore at the 2010 Open Roads: New Italian Film series in New York City. We talked about her lifelong dream of becoming an actress. She also gave me some insight into the diff

The Rochester Global Short Film Series

Now in its fourth year, the Rochester Global Short Film Series is a celebration of world cinema. The first edition was held in Rochester, New York in March of 2020 just before the world paused for the global pandemic.  We pride ourselves in providing a platform for the voices and perspectives of independent filmmakers. Home of Eastman Kodak and nicknamed "The World's Image Center", Rochester has a long history of supporting the performing arts. It is the birthplace of numerous renowned artists including Oscar-winning actor Phillip Seymour Hoffman, Oscar-nominated actor John Lithgow, Oscar-nominated actor Robert Forster, actress Kristen Wiig and soprano Renée Fleming.  Silent film star Louise Brooks spent the last years of her life in Rochester writing her memoir, “Lulu in Hollywood.” Known for her independent spirit and displeasure with pretentiousness, she is one of the influences behind the event. The other influence is Susan B. Anthony, a women's rights activist wh

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

Nicoletta Braschi and Roberto Benigni.. What cinema dreams are made of

The Toronto International Film Festival is wrapping up its retrospective of the cinematic collaboration of husband and wife team, Nicoletta Braschi and Roberto Benigni. Over the last few days, the couple have participated in discussions, Q & A sessions and have introduced several of their films. Today, I attended a screening of "La voce della luna" (The voice of the moon). It was  Federico Fellini's last film and is a wonderful tribute to the director's signature poetic madness. The film gave Benigni the opportunity to team up with fellow beloved comic, Paolo Villaggio, and the two created a truly unforgettable adventure. Today's screening began with an introduction by Benigni. The moments leading up to his introduction were noticeably serious and somewhat tense. Benigni's publicist and TIFF security staunchly guarded his privacy. There was no interaction and no photos were allowed. Guided by his entourage, he walked quickly from the Green Room to th

The Comedy and Tragedy of a Neapolitan Genius

On the occasion of Italy's mega-broadcast of numerous films by its beloved, Totò, we take a look at the life and career of Napoli's comic genius. His birth name was Antonio De Curtis, but the world knows him best as Totò, the Neapolitan comedian whose distinctive face and nutty ways made him one of the most popular Italian film stars in history. Totò was born on February 15, 1898 in Rione Sanità, a poor area of Naples. As a boy, he had a passion for sports. Legend has it that a nose injury caused by a football or boxing match gave him his signature look that played a major role in the personality of his characters. In 1917, Totò started acting locally in Napoli's comedia dell'arte and wrote poetry in his dialect. In the early '20s, he headed to Rome. Upon his arrival in the Eternal City, he enjoyed performing i theaters working in "avanspettacolo," a vaudeville show that combined music, ballet and comedy. He mastered the genre and in the '30s, foun