Skip to main content

Paolo Virzi's latest film hits American theaters

The cast of "Human Capital"
Starting today, Paolo Virzì’s latest film, "Human Capital," begins showing at theaters across the country.

The Wikipedia definition of human capital is- the stock of knowledge, habits, social and personality attributes, including creativity, embodied in the ability to perform labor so as to produce economic value. Well, the film, which was adapted from American writer, Stephen Amidon’s book pretty much covers all these attributes. The story begins after a cyclist is run off the road. That incident sets the stage for a rollercoaster ride of drama, egos, greed, opulence and destruction. The director’s visual expression of the novel has drawn incredible performances from his actors. Virzì has a history of empathizing with his characters to really get into their heads, which in turn leads to complete transformation, and it helps to have some of the most talented contemporary Italian actors, such as Fabrizio Bentivoglio, Valeria Golino, Valeria Bruni Tedeschi and Fabrizio Gifuni interpreting those roles.


Q&A at Open Roads: New Italian Cinema film series
Paolo Virzì
Born in the northern seaside town of Livorno in 1964, Paolo Virzì has become one of the most respected and innovative directors of his generation. He is known for utilizing the classic film genre, Commedia all’italiana, which was created by iconic filmmakers like Mario Monicelli and Pietro Germi, and is reflective of Italian pop-culture. It’s a way in which Italians could laugh and make fun of themselves a bit even in the darkest of days. It was especially popular in the years following World War II when Italians really did need some comedy relief. 

"Caterina va in città" is a great example of Virzì’s interpretation of this style of filmmaking with the namesake character, new to a school, just trying to fit in, faces growing pains and peer pressure while her parents are total train wrecks just trying to get by themselves. This recipe makes us laugh hysterically while feeling sorry for poor Caterina, hoping she could meet a least one sincere friend. It certainly helped Virzì to have veteran actors like Sergio Castellitto, Sergio Rubini, Margherita Buy and a guest appearance by TV Host, Maurizio Costanzo to pull off this Commedia all’italiana more than half a century after it was born. What’s so unique about Virzì’s work is the thin line of comedy and tragedy upon which he balances, and again this was very apparent in this 2003 film.


With Virzì in NYC
I’ve had the pleasure of meeting Virzì several times at various film festivals. He is a real people person, asking just as many questions as the person interviewing him. He strikes me as someone with the curiosity of a child always looking to explore and discover something new. This quality undoubtedly makes him the successful, resourceful director that he has become. 

If "Human Capital" is playing at a theater near you, I highly recommend seeing it. You will also be treated to an enchanting soundtrack written by his brother, Carlo. The siblings are a filmmaking team upon which dreams are made.

Click here to watch the film’s trailer and to find a theater in your area. 

Comments

Popular posts from this blog

7 Days - 7 Women: Interview with Actress Sabrina Impacciatore

  Photo by Rossella Vetrano On Day 6 of our series, 7 Days - 7 Women, in which we are profiling seven strong, talented women working as filmmakers, writers or visual artists, we talk with actress Sabrina Impacciatore about the diversity of her roles. Whether she's playing a devoted mother trying to protect her child, Jesus Christ's "Veronica" in Mel Gibson's controversial film, "Passion of the Christ" or a young woman coming of age, Impacciatore escapes into the life and mind of each character she takes on, sometimes so deeply that she believes she is actually them.   It's a fine line between reality and fiction, but she treads it carefully and anyone watching her performance benefits from her emotional connection to the character that she becomes. I spoke with Impacciatore at the 2010 Open Roads: New Italian Film series in New York City. We talked about her lifelong dream of becoming an actress. She also gave me some insight into the diff

Michelangelo Frammartino's "Il buco" — Unearthing our past

When a team of speleologists descended 700 meters into the Bifurto Abyss in Cosenza, Calabria, in 1961, they discovered that the underground caverns were the third deepest in the world and the deepest in Europe. Italian filmmaker Michelangelo Frammartino retraces that mission six decades later with a cast of locals and their livestock in his latest documentary, “Il buco” (“The Hole”). Inspiration for the film came while he was on location shooting his 2007 documentary, “Le quattro volte” (“Four Times”). Officials in the Pollino mountains, which stretch between Calabria and Basilicata, showed him what appeared to be just another sinkhole. Frammartino failed to understand their enthusiasm until they tossed a large stone into the void. It disappeared without making a sound. He was so overcome by the experience and the eerie landscape, he was haunted for years, compelling him to make his current film, one of many rooted in nature. “I was born in Milan, but my family is from Calabria. My pa

A Conversation with Taylor Taglianetti, Founder of NOIAFT

A new platform has recently been launched that promotes the work of Italian Americans in film and television. The brains behind the initiative is a young, passionate woman who is taking the support that she received early on in her journey and paying it forward. With origins in Basilicata and  Campania , Taylor Taglianetti is a proud Italian American from Brooklyn, New York. She is currently a senior at NYU Tisch School of the Arts, graduating in January 2020. She is majoring in Film and Television and minoring in the Business of Entertainment, Media and Technology.  Taglianetti  aspires to be a feature film producer and bring great stories to the big screen. In addition to running NOIAFT, she is currently a Development Intern with Silver Pictures, the production company that produced the Lethal Weapon and The Matrix series. Last summer, she was a development intern with Maven Pictures, the Academy-Award winning production company behind Still Alice and The Kids Are All Right . 

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

A Conversation With the Man Who Played Pasolini's Christ

There have been countless cinematic interpretations of the books of the Bible, but few have stood the test of time. One that qualifies as a classic is Pier Paolo Pasolini’s 1964 “Il Vangolo secondo Matteo” (The Gospel According to St. Matthew). Considered by the Vatican to be among the best film adaptations of one of the Gospels, Pasolini’s 1964 film was shot in the regions of Calabria, Puglia and Basilicata. In an interview with RAI television while on location in Matera, Pasolini talked about the reasons for shooting there. “I chose two or three places in Basilicata. One is Barile, a town of Albanians. I needed a place for Bethlehem. Another location is Matera because it reminded me of Jerusalem,” he explained. Pasolini’s interpretation of St. Matthews’s Gospel is pure, with no added commentary. He said that he followed the Gospel word for word without adding a single syllable. He explained in the interview that his idea to make the film happened by coincidence. “In October of 19