Skip to main content

"Cinema saved my life" - A Portrait of Claudia Cardinale

Update May 9, 2016
It's just been announced that Claudia Cardinale will present her latest film, "All Roads Lead to Rome" in Niagara Falls, Canada on June 18, 2016 at the Niagara Integrated Film Festival  connecting with Canada's annual Italian Contemporary Italian Film Festival.


In these times of reality television, internet streaming and 15 minutes of fame, there are few legends living among us. Actress Claudia Cardinale is one of those few.

A truly unique and special person, Cardinale was born in Tunisia in 1938 to Sicilian parents. Her maternal grandparents were originally from the Sicilian island of Trapani, but settled in La Goulette, Tunisia, where there was a large Italian community.

Her early life seems something of a fairytale but success brought its share of problems. As a young girl, Cardinale attended elementary school in the ancient city of Carthage. Her first cinematic experience came when she participated in the making of a short film with her classmates and French director, René Vautier. The film was presented at the Berlin Film Festival and generated enough buzz to get her noticed by director, Jacques Baratier, who cast her opposite Omar Sharif in his 1958 film, "Goha." Shortly thereafter, she entered and won a beauty contest in which the prize was a trip to the Venice Film Festival. There, she was discovered by Italian film producers and offered a scholarship to Rome’s Experimental Center of Cinematography. She attended the renowned film school for just a few months before returning to Tunisia. The language barrier reportedly took its toll on her and she felt discouraged. She spoke French, Tunisian, Arabic and Sicilian dialect. It wasn’t until she began to be cast for Italian films that she began to seriously study the Italian language. During her return to Tunisia, she discovered that she was pregnant. The relationship was abusive and she didn’t want to stay with the father of her child, but did not want to terminate the pregnancy either. So, she decided to enter a seven-year contract and ultimately a marriage with Frano Cristaldi, a film producer and writer who also helped to manage her career. The contract prohibited her from announcing her pregnancy. After seven months of hiding it, she became fed up and asked to break the contract. She was not allowed to do so and instead was sent to London where she gave birth to a baby boy. Due to this contract, she also had to keep the baby a secret upon returning to Italy and pretended the child was her brother. For seven years, she lived this lie, afraid to talk to anyone and unable to live a normal life. Then finally, a tabloid reporter uncovered the story and it was out in the open. It’s been said that Cardinale was relieved and felt a great burden lifted from her shoulders.

During those difficult years, Cardinale worked on a number of important films, including Mario Monicelli's comedy, "The Big Deal on Madonna Street," which stars fellow icons, Vittorio Gassman, Totò and MarcelloMastroianni. Cardinale portrayed Carmelita, a girl held up in the house by her rebellious brother. The film was a huge international success, especially in America. It's no wonder why Cardinale once said, "Cinema saved my life."
Two of her biggest roles came in 1963 in Federico Fellini’s "8 ½" and Luchino Visconti’s period drama, "Il gattopardo," which has been referred to as Italy’s version of “Gone With the Wind.”

In "8 ½," Cardinale portrayed the character of Claudia, an enchanting young actress and the “ideal woman” of Guido Anselmi, a film director played by Mastroianni.  It was the first role in which Cardinale was allowed to use her own voice. In past films, her voice was dubbed because it was considered horse and deep, not really going along with her soft, feminine persona. Even with her signature raspy voice, Cardinale gave sweetness, vulnerability and innocence to her character; traits each and every one of her characters would go on to possess, no matter how complicated they could appear.


Winner of the Palme d’Oro at the Cannes Film Festival, "Il gattopardo" is a decadent portrait of the turbulent period of Italian unification, which took place during the years of 1860-1862. “Il gattopardo” is told through the angle of an aristocratic Sicilian family threatened by political upheaval. Cardinale gives an epic, forceful  performance as the stunning Angelica, a daughter of the town's newly appointed Mayor, Don Calogero Sedara. Cardinale conveyed emotions of  love, passion, manipulation and fear; all the rollercoaster emotions that one would experience while living through such a tumultuous time in history. Burt Lancaster costars alongside Cardinale is this classic that has stood the test of time and remains one of the most beloved works in the history of Italian cinema.
A great moment with Claudia Cardinale at Niagara Integrated Film Festival
Through the decades, Cardinale has stayed very active in her career and personal life. Since March of 2000, she has been a UNESCO Goodwill Ambassador for the Defense of Women’s Rights. Her recent film, "The Silent Mountain," a war drama set in the Dolomite Mountains in 1915, was released in Austria and Italy earlier this year. She was honored recently at the Festival del Cinema Europeo in Puglia and the Taormina Film Festival in Sicily, where she graciously posed for the paparazzi and adoring fans as well as young artists who look to her for inspiration. One of those young artists, documentary filmmaker, Rocco Talucci, who recently worked with the actress on his film about screenwriting legend, Enrico Medioli, described Cardinale as “the essence of Italian cinema. She is very helpful, kind and wonderful. She is not a diva, just a lovable person.”

Her most recent project is a romantic comedy produced by the prolific AMBI Pictures team, headed by Monika Bacardi and Andrea Iervolino. "All Roads Lead to Rome" boasts a star-studded international cast that includes Sarah Jessica Parker, Spanish actress Paz Vega, and Cardinale along with contemporary Italian favorites Paola Lavini, Marco Bonini and Raoul Bova. The story centers on Parker’s character Maggie, who in an effort to reconnect with her troubled teen daughter, embarks on a journey to a Tuscan village where she frequented in her younger days. Upon her arrival, Maggie runs into Luca (Bova), a handsome former lover who is still a bachelor and lives with his eighty-year-old mother Carmen (Cardinale). Maggie’s daughter steals Luca’s car and runs off to Rome with Carmen. Maggie and Luca follow in pursuit. It’s a story of nostalgia, discovery, love, unlikely friendships and tolerance. The film should be in American theaters next month. Check out the trailer..

Comments

Popular posts from this blog

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

The Life and Work of Monica Bellucci

Monica Bellucci as Malèna Born in Umbria in 1964, Monica Bellucci is one of the most recognizable faces of international cinema. But she didn't always have her sights set on the spotlight. She went to college to study law and modeled to pay her tuition. Her success in the fashion world coupled with the offers that were pouring in to appear on the big screen eventually took over, changing her fate. Bellucci made her on-screen debut in the 1990 television movie, " Vita coi figli." Just two years later, she scored her first American role in Francis Ford Coppola's "Dracula."   In addition to her native language, she speaks fluent English and French, which has made for a smooth transition from Italian to international cinema. Stateside, she has acted in blockbusters such as "The Matrix-Reloaded,"     " The Passion of the Christ" and " The Sorcerer's Apprentice." She has also appeared in several French films, a

Pasolini's Playground of Roman Ruins

Anna Magnani in a scene from "Mamma Roma" Pier Paolo Pasolini’s 1962 “Mamma Roma” starring Anna Magnani , follows the title character, a Roman prostitute determined to change her life and give her son the opportunities she never had. She seizes the opportunity to leave her life on the streets behind when her pimp (Franco Citti) gets married and frees her from his possession. Mamma then goes to the small provincial town of Guidonia to fetch her son, Ettore (Ettore Garofolo), and bring him to Rome to embark on their new life together. She buys a pushcart, finds an apartment in a nice neighborhood, and uses her connections to secure him a job in a restaurant. However, Ettore gets mixed up with boys who are petty thieves and is negatively influenced by them. At the same time, Mamma Roma’s pimp resurfaces and sends her back to the streets. When Ettore learns about his mother’s prostitution, he goes astray and wholeheartedly joins in on the petty crimes of the boys. One day, while

Stefano Natale- the Charismatic Muse behind Carlo Verdone's Iconic Characters

The beauty of Italian cinema lies in the diversity of its genres and styles. Although the ’80s have received its share of criticism for its less-than-profound output, it was the decade in which contemporary maestro Carlo Verdone emerged as a creative young director and actor. The characters he brought to life during those years became permanent fixtures in Roman pop culture. Films like “Un sacco bello,” “Bianco, rosso e Verdone,” and “Borotalco” gave birth to the iconic Mimmo, Leo and Sora Lella.   Enter Stefano Natale, the real-life muse behind Leo and Mimmo. Natale was the subject of a documentary presented at the 2015 Festa del Cinema in Rome. One of four protagonists in Luca Ferrari’s “Showbiz,” he is a soft-spoken gentle giant who recalls his life with Verdone and the creation of his characters in a nostalgic, affectionate manner. “Verdone and I grew up together in the same building near Ponte Sisto,” Natale recalls. “Our grandmothers were cousins, and for 30 years we saw each o

Nicoletta Braschi and Roberto Benigni.. What cinema dreams are made of

The Toronto International Film Festival is wrapping up its retrospective of the cinematic collaboration of husband and wife team, Nicoletta Braschi and Roberto Benigni. Over the last few days, the couple have participated in discussions, Q & A sessions and have introduced several of their films. Today, I attended a screening of "La voce della luna" (The voice of the moon). It was  Federico Fellini's last film and is a wonderful tribute to the director's signature poetic madness. The film gave Benigni the opportunity to team up with fellow beloved comic, Paolo Villaggio, and the two created a truly unforgettable adventure. Today's screening began with an introduction by Benigni. The moments leading up to his introduction were noticeably serious and somewhat tense. Benigni's publicist and TIFF security staunchly guarded his privacy. There was no interaction and no photos were allowed. Guided by his entourage, he walked quickly from the Green Room to th