Skip to main content

Marco Giallini's latest film headed to America

He's an intense, articulate actor with dozens of diverse roles to his credit, and his latest film, Perfetti Sconosciuti (Perfect Strangers) is set to make its North American premiere at the Tribeca Film Festival.

Roman-born actor, Marco Giallini shines in the roles he takes on, whether he is the oddball in a comedy, the sexy mystery man in a drama or the bad guy you’d love to hate in a thriller. In each case, Giallini reels us into his character’s fascinating world with his impressive range of performing.

Born in Rome in 1963, Giallini grew up with a number of interests including music, motorcycles and soccer. Before he discovered his call to act, he explored his passion for music, starting his own band in the early 80’s called, I Monitors. Then in 1985, destiny knocked at his door, and Giallini enrolled in acting school. He studied theater and for nearly a decade, participated in local productions in Rome’s many venues. It was in 1995 that he made his debut in cinema with a role in Angelo Orlando’s film, L'anno prossimo vado a letto alle dieci. The following year, he appeared alongside Valerio Mastandrea in the television movie, Infiltrato. In both roles, he played a gun-toting wise guy. In the 20 years since those early roles, he has climbed to the top of his game, becoming an adored and respected artist.

Thrilled to meet Marco Giallini at the 2016 Roma Fiction Fest 
Marco Giallini’s career has indeed been a rich adventure as he has played everything from a doctor to a lover to a gladiator that poses for pictures with tourists at the Colosseum. He can give just as convincing a performance as a comedian as he can a criminal. Often, he acts in gestures with that magnificent, expressive face saying more than words ever could. My first introduction to Giallini was in 2004 at Lincoln Center's homage to the work of Sergio Castellitto. Manlio in Castellitto’s contemporary masterpiece, Non ti muovere (Don’t Move) struck me hard. Manlio is a colleague of Timoteo (Sergio Castellitto) in the hospital where he practices medicine. The two actors have strong chemistry, so it's no wonder they've worked together on several projects. Manlio is sometimes the devil on Timoteo’s shoulder, but Giallini's approach to the role was interesting because even if his character was destined to be a bit shallow, Giallini gave him an introverted complexity. I was impressed by his ability to show qualities of depth and lightheartedness at the same time. His talent and the enormity of his on-screen presence stood out right away.


My second brush with Marco Giallini came about six months later and again at Lincoln Center, this time at the annual film series, Open Roads: New Italian Cinema. Director Renato De Maria presented his drama, Amatemi, staring his wife, Isabella Ferrari. Giallini played the role of fleeting partner, and although his part in the film was brief, he forcefully carried his scenes. The most compelling moment was following his one-night stand with Ferrari's character, when he left singing Pooh's "Tanta voglia di lei"..

Mi dispiace, devo andare... I am sorry, I have to leave
Il mio posto è là... My place is over there
Il mio amore si potrebbe svegliare, Chi la scalerà... My love could wake and who would keep her warm?
Strana amica di una sera, Io ringrazierò... Strange friend of one night, I thank you..

It was a poignant scene that validated my initial feelings after seeing Giallini in Non ti muovere.  I never forgot those two parts and I've been writing about his work ever since.
Watch the scene...



In the last 5 years or so, Giallini's career has reached new heights with profoundly funny characters like Luigi Mascolo in Carlo Verdone's 2009 Io, loro e Lara. Having followed his career, I noticed the shift in his characters from edgy and provocative to whimsical and hilarious. Everyone interprets art differently, but for me, his performances took on echoes of Alberto Sordi and Roberto Benigni- that fast-talking, fidgeting humor. As Sordi and Benigni are known at times to have had less than amusing personalities off-camera, I wondered if the shift in characters signified a change in his life or direction of his career- something that consciously or subconsciously caused him to immerse himself in comedy- in these over-the-top characters that made me cry from laughter. I had tears streaming down my face during the dinner scene in Io, loro e Lara when he was high as a kite on cocaine.. a far cry from his Amatemi and L'amico di famiglia days. But now with characters in films like Loro chi? with Edoardo Leo and Storie sospese with Maya Sansa, it seems that he is balancing the intricacies of sultry, mystic and goofball jokester to create complex, extraordinary characters. He is an actor that makes you think about the film and these details long after you've left the theater.


Perfetti Sconosciuti will make its North American premiere at the Tribeca Film Festival on April 14. Set during a dinner party, seven friends decide to place their cell phones on the table and agree to make all texts and calls public in an attempt to prove that they have nothing to hide. What at first seems like a game between friends quickly turns into something much more toxic as the messages begin to reveal how little they may know about their partners and friends.

For more information about Marco Giallini, check out his website at www.marcogiallini.net. There, you will also find links to follow him on Twitter and Facebook.
Labels:

Comments

Post a Comment

Popular posts from this blog

The Legend of Alberto Sordi - Rome's Eternal Son

′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′  - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...
Post a Comment
Read more

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...
Post a Comment
Read more

Luminous Legacies: Yoichi Ohira’s Murano Glass at Magazzino Italian Art

A new exhibition in Cold Spring, New York, is bringing the luminous legacy of Murano glassmaking into focus through the work of Japanese artist Yoichi Ohira. “Yoichi Ohira: Japan in Murano” is on view at  Magazzino Italian Art  until February 2027. The exhibit showcases the work of Ohira, who became a leading figure in the design of Venetian glassworks on the island of Murano. The exhibition features works that highlight the uniqueness of Ohira’s art across the decades of his career. Ohira’s earliest Murano works blend Venetian glass techniques with his own style. These pieces show balanced shapes, clear surfaces, and striking color combinations. His Venezia e l’Oriente (Venice and the Orient) decanters reflect Venice’s ties to the East, creating vases inspired by Marco Polo’s tales with a modern twist. The exhibition shows Ohira’s respect for Murano’s glass masters, displaying objects alongside preparatory drawings that map ideas to the final works of art. It also explores ho...
Post a Comment
Read more

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...
Post a Comment
Read more

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...
Post a Comment
Read more