Skip to main content

Actress Paola Lavini on her Role in Giorgio Diritti's 'Volevo nascondermi'

Italians made their way back to the cinemas over the weekend and one of the most popular films to see was Giorgio Diritti's "Volevo nascondermi" (Hidden Away), the story of tortured artist Antonio Ligabue.

The son of an emigrant Italian mother, Ligabue was deported to Italy from Switzerland where he spent his childhood. He lived a life of solitude in a shack by the river for years. Meeting the sculptor Renato Marino Mazzacurati provided an opportunity to express himself through painting, the beginning of a redemption story in which he feels art is the only way to form his identity. “El Tudesc,” as people called him, was a lonely, introverted and often mocked and humiliated man. He became an imaginative artist who painted a fantasy world of tigers, gorillas and jaguars on the banks of the Po River. Ligabue’s art is a “fairy tale” from which a wealth of diversity emerges and his work over time has proved to be a gift to collective humanity.

"Volevo nascondermi" premiered in February at the Berlin Film Festival just before the world paused for the coronavirus pandemic. Since then, the film has received a whole slew of nominations and awards.

Actress Paola Lavini plays Ligabue's love interest, Pina. Lavini is no stranger to Italian Cinema Today. We've met up with her numerous times in Rome at film festivals and cafés just to catch up over cappuccino. I asked her about her experience working on this film.

The Italian version follows..

Tell me about this character Pina and her place in this story.
Pina is a beautiful woman who approaches Antonio Ligabue out of opportunism, but with sincerity and tenderness. She meets him when he is already famous.

What did you do in terms of research to prepare for the role?
I called to mind many things about my grandmother from my Emilian origins. I looked at many paintings by Ligabue and watched many of his films to understand his world.

Tell me about your collaboration with Elio Germano.. 
It was fantastic. He is an extraordinary actor and a genuine person. It is exciting to work with good actors. They inspire you to give your best.

..And with Giorgio Diritti. What was your experience shooting with him?
I have been following Giorgio Diritti for years. I love his filmography. I love his style of directing and the way in which he makes decisions. I love his poetics. He is attentive to everything and everyone.

Paola Lavini in a scene from "Volevo nascondermi"
During the film, did you develop an appreciation for the art and struggles of Antonio Ligabue?
Absolutely. I also started painting again. I picked up the canvas and gave free rein to my imagination. I didn't know him very much and instead I looked at all his paintings with a keen eye, trying to emulate the desire for redemption he had through his art.

What do you feel is the importance of this film to the legacy of Ligabue?
Through this film, we discover Antonio’s real life, even before Ligabue–the little Antonio and then of the adult Antonio with his difficulties in showing affection. His life began in a ‘wrong’ way, perhaps, but he could right those wrongs through his painting. I believe that Antonio Ligabue is still little known as a painter and this film could be a way to make him known more, as he deserves, in Italy and in the world.

We'll keep you updated on when the film will be released in the United States. In the meantime, watch Lavini in the AMBI Pictures 2016 film "All Roads Lead to Rome," a romantic comedy set in Italy that stars Sarah Jessica Parker, Raoul Bova and Claudia Cardinale and in the 2005 HBO series, "Rome" in which she plays the ill-mannered trophy wife, Phyllis. Click here to watch the series on HBO Max.



Intervista in Italiano

Raccontami questo personaggio Pina.
Pina è una bella donna che si avvicina ad Antonio Ligabue per..opportunismo, anche se con molta tenerezza. Lo conosce quando lui è già ricco e famoso .

Cosa hai fatto in termini di ricerca per prepararti al ruolo?
Ho attinto molte cose da mia nonna, dalle mie origini emiliane e mi sono guardate molti quadri di Ligabue e tanti suoi filmati per capire il suo mondo

Lavini and Elio Germano in a scene from "Volevo nascondermi"
Parlami della tua collaborazione con Elio Germano 
Fantastico. Attore straordinario. Persona vera. E' stimolante lavorare con attori bravi. Dai il meglio

E con Giorgio Diritti... 
Inseguo Giorgio Diritti da anni. Amo la sua filmografia. Amo come dirige e le facce che sceglie. Amo la sua poetica. E' attento a tutto e a tutti.

Durante il film, hai sviluppato un apprezzamento per l'arte e le lotte di Antonio Ligabue?
Siiiii. Mi sono rimessa anche a dipingere. Ho ripreso in mano la tela ed ho dato libero sfogo alla mia immaginazione. Lo conoscevo poco ed invece ho riguardato con occhio attento tutti i suoi quadri, cercando di carpire il desiderio di riscatto che aveva attraverso la sua arte.

Qual è l'importanza di questo film per l'eredità di Ligabue? 
Attraverso questo film, scopriamo la vita vera di Antonio, prima ancora di Ligabue. Del piccolo Antonio e poi dell'Antonio adulto. Delle sue difficoltà negli affetti, della sua vita cominciata in modo 'storto', forse 'sbagliato,  e che lui ha saputo invece rendere 'vincente' attraverso la sua pittura. Credo che Antonio Ligabue sia ancora poco conosciuto come pittore e questo film potrebbe essere un modo per farlo conoscere di più, come merita, in Italia e nel mondo.

Comments

Popular posts from this blog

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Model/Actress Anna Falchi

Anna Falchi was born Anna Kristiina Palomaki, on April 22, 1972, in Tampere, Finland. Her mother, Kaarina Palomaki Sisko, is Finnish, while her father, Benito "Tito" Falchi, is from Romagna, Italy. Growing up in Italy, Anna was a tomboy, and had a fervent imagination. She is known mostly for her prolific career in modelling. However, she tried her hand at acting and landed a role in one of my favorite Italian comedies, Nessun messaggio in segreteria . I consider it my one of my favorites because it brought together so many amazing, talented filmmakers during a time when they were all just starting out. Those filmmakers, Pierfrancesco Favino, Valerio Mastandrea, Luca Miniero and Paolo Genovese are now huge names in contemporary Italian cinema, so it's great to look back and see their work in a low-profile film completely different from the bigger-budget stardom they now know.   Watch the trailer . Anna Falchi started her career as a...

Ettore Scola explores enduring friendships and lost ideals in 'C’eravamo tanto amati'

A scene from "C'eravamo tanti amati" Mixing both tragedy and humor, Ettore Scola ’s 1974 film “C’eravamo tanto amati” (“We All Loved Each Other So Much”) follows 30 years in the lives of three men and the woman they each adore. By examining how his generation changed after the war, Scola makes a film that reflects its era. Scola explores the moral, political and emotional evolution of Italy’s postwar generation and, in doing so, creates a film that is a chronicle of its time and a love letter to cinema. The story begins in the aftermath of World War II. Three friends — Antonio ( Nino Manfredi ), Gianni (Vittorio Gassman) and Nicola (Stefano Satta Flores) — emerge from the Italian Resistance with a shared dream of justice, equality and social renewal. They are united by their hope that the sacrifices of war will lead to a better world. But the decades that follow prove to be challenging as Italy undergoes massive social changes, from the postwar economic boom to the politi...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...