Skip to main content

Actress Paola Lavini on her Role in Giorgio Diritti's 'Volevo nascondermi'

Italians made their way back to the cinemas over the weekend and one of the most popular films to see was Giorgio Diritti's "Volevo nascondermi" (Hidden Away), the story of tortured artist Antonio Ligabue.

The son of an emigrant Italian mother, Ligabue was deported to Italy from Switzerland where he spent his childhood. He lived a life of solitude in a shack by the river for years. Meeting the sculptor Renato Marino Mazzacurati provided an opportunity to express himself through painting, the beginning of a redemption story in which he feels art is the only way to form his identity. “El Tudesc,” as people called him, was a lonely, introverted and often mocked and humiliated man. He became an imaginative artist who painted a fantasy world of tigers, gorillas and jaguars on the banks of the Po River. Ligabue’s art is a “fairy tale” from which a wealth of diversity emerges and his work over time has proved to be a gift to collective humanity.

"Volevo nascondermi" premiered in February at the Berlin Film Festival just before the world paused for the coronavirus pandemic. Since then, the film has received a whole slew of nominations and awards.

Actress Paola Lavini plays Ligabue's love interest, Pina. Lavini is no stranger to Italian Cinema Today. We've met up with her numerous times in Rome at film festivals and cafés just to catch up over cappuccino. I asked her about her experience working on this film.

The Italian version follows..

Tell me about this character Pina and her place in this story.
Pina is a beautiful woman who approaches Antonio Ligabue out of opportunism, but with sincerity and tenderness. She meets him when he is already famous.

What did you do in terms of research to prepare for the role?
I called to mind many things about my grandmother from my Emilian origins. I looked at many paintings by Ligabue and watched many of his films to understand his world.

Tell me about your collaboration with Elio Germano.. 
It was fantastic. He is an extraordinary actor and a genuine person. It is exciting to work with good actors. They inspire you to give your best.

..And with Giorgio Diritti. What was your experience shooting with him?
I have been following Giorgio Diritti for years. I love his filmography. I love his style of directing and the way in which he makes decisions. I love his poetics. He is attentive to everything and everyone.

Paola Lavini in a scene from "Volevo nascondermi"
During the film, did you develop an appreciation for the art and struggles of Antonio Ligabue?
Absolutely. I also started painting again. I picked up the canvas and gave free rein to my imagination. I didn't know him very much and instead I looked at all his paintings with a keen eye, trying to emulate the desire for redemption he had through his art.

What do you feel is the importance of this film to the legacy of Ligabue?
Through this film, we discover Antonio’s real life, even before Ligabue–the little Antonio and then of the adult Antonio with his difficulties in showing affection. His life began in a ‘wrong’ way, perhaps, but he could right those wrongs through his painting. I believe that Antonio Ligabue is still little known as a painter and this film could be a way to make him known more, as he deserves, in Italy and in the world.

We'll keep you updated on when the film will be released in the United States. In the meantime, watch Lavini in the AMBI Pictures 2016 film "All Roads Lead to Rome," a romantic comedy set in Italy that stars Sarah Jessica Parker, Raoul Bova and Claudia Cardinale and in the 2005 HBO series, "Rome" in which she plays the ill-mannered trophy wife, Phyllis. Click here to watch the series on HBO Max.



Intervista in Italiano

Raccontami questo personaggio Pina.
Pina è una bella donna che si avvicina ad Antonio Ligabue per..opportunismo, anche se con molta tenerezza. Lo conosce quando lui è già ricco e famoso .

Cosa hai fatto in termini di ricerca per prepararti al ruolo?
Ho attinto molte cose da mia nonna, dalle mie origini emiliane e mi sono guardate molti quadri di Ligabue e tanti suoi filmati per capire il suo mondo

Lavini and Elio Germano in a scene from "Volevo nascondermi"
Parlami della tua collaborazione con Elio Germano 
Fantastico. Attore straordinario. Persona vera. E' stimolante lavorare con attori bravi. Dai il meglio

E con Giorgio Diritti... 
Inseguo Giorgio Diritti da anni. Amo la sua filmografia. Amo come dirige e le facce che sceglie. Amo la sua poetica. E' attento a tutto e a tutti.

Durante il film, hai sviluppato un apprezzamento per l'arte e le lotte di Antonio Ligabue?
Siiiii. Mi sono rimessa anche a dipingere. Ho ripreso in mano la tela ed ho dato libero sfogo alla mia immaginazione. Lo conoscevo poco ed invece ho riguardato con occhio attento tutti i suoi quadri, cercando di carpire il desiderio di riscatto che aveva attraverso la sua arte.

Qual è l'importanza di questo film per l'eredità di Ligabue? 
Attraverso questo film, scopriamo la vita vera di Antonio, prima ancora di Ligabue. Del piccolo Antonio e poi dell'Antonio adulto. Delle sue difficoltà negli affetti, della sua vita cominciata in modo 'storto', forse 'sbagliato,  e che lui ha saputo invece rendere 'vincente' attraverso la sua pittura. Credo che Antonio Ligabue sia ancora poco conosciuto come pittore e questo film potrebbe essere un modo per farlo conoscere di più, come merita, in Italia e nel mondo.

Comments

Popular posts from this blog

Luminous Legacies: Yoichi Ohira’s Murano Glass at Magazzino Italian Art

A new exhibition in Cold Spring, New York, is bringing the luminous legacy of Murano glassmaking into focus through the work of Japanese artist Yoichi Ohira. “Yoichi Ohira: Japan in Murano” is on view at  Magazzino Italian Art  until February 2027. The exhibit showcases the work of Ohira, who became a leading figure in the design of Venetian glassworks on the island of Murano. The exhibition features works that highlight the uniqueness of Ohira’s art across the decades of his career. Ohira’s earliest Murano works blend Venetian glass techniques with his own style. These pieces show balanced shapes, clear surfaces, and striking color combinations. His Venezia e l’Oriente (Venice and the Orient) decanters reflect Venice’s ties to the East, creating vases inspired by Marco Polo’s tales with a modern twist. The exhibition shows Ohira’s respect for Murano’s glass masters, displaying objects alongside preparatory drawings that map ideas to the final works of art. It also explores ho...

The Legend of Alberto Sordi - Rome's Eternal Son

′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′  - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Netflix's 'Il Gattopardo" — A classic reborn

Netflix photo A new Netflix series adaptation of “The Leopard,” based on Giuseppe Tomasi di Lampedusa’s seminal novel, is captivating audiences worldwide. Directed by British filmmaker Tom Shankland, the series revisits the iconic tale first brought to the screen by Luchino Visconti in 1963. Set against the backdrop of 1860s Sicily during the Risorgimento, the film follows Prince Fabrizio Salina (Kim Rossi Stuart), an aging aristocrat witnessing the decline of the Sicilian nobility and the rise of a new social order. As Garibaldi’s forces land in Sicily, the prince reflects on the now-fleeting aristocratic way of life. His nephew Tancredi (Saul Nanni) embraces the changes and aligns himself with the new order, famously stating, “If we want things to stay as they are, things will have to change.” Prince Fabrizio, once the epitome of male, moneyed privilege, finds himself grappling with a changing world where his way of life is becoming obsolete. He comes to realize that the aristocracy ...