Skip to main content

PostModernissimo's Collection of Arthouse Films & A Bellocchio Adventure

Fabrizio Falco in "Il Lotto"
Recently, I discovered Postmodernissimo, a website dedicated to quality cinema, entertainment and visual arts.

Named after the Modernissimo D'Essai, Perugia’s oldest cinema which had closed its doors for nearly two decades, the website came about following an effort to get the cinema back up and running. After that goal was achieved, organizers broadened the cinema’s international reach by making a rotating selection of films available online. With Italy’s country-wide quarantine, the list of films was recently expanded.

Looking through the titles, I noticed a short film by Marco Bellocchio, “La Lotta” (The Fight). I watched it today. Then I watched it again, and again. I felt that I was missing something because there are so many elements and layers. I enlisted the help of our resident producer, Mauro Ianari, who produced our 2019 short about the pioneer documentarian Luigi Di Gianni. We went through the film together and noticed a name on a monument dedicated to World War II heroes- Giuseppe Bellocchio. That led to an adventurous search on the internet and we both learned so much.


Giuseppe Bellocchio was born in Bobbio, located in the region of Emilia-Romagna, in 1889 and enlisted in the Royal Army in 1908. He took part in WWI, reaching the rank of major and after being in command of some Alpine battalions, was placed in command of the Operations Office of the 7th Czechoslovak Division, a unit consisting of ex-soldiers of the Austro-Hungarian Empire. He was decorated with a silver and a bronze medal for military valor. After the war, he attended the Turin War School (Scuola di Guerra di Torino) for three-years and was subsequently promoted to lieutenant colonel in 1926.

Between 1928 and 1931, he was sent to Albania as an instructor for King Ahmed Zogu, who had just come to power with the support of the Kingdom of Italy. Bellocchio was promoted to colonel in 1936, assuming first command of the 3rd Alpine Regiment and then at the command of the Army Corps of Milan for special assignments. 

During the early years of WWII, he was in the region of Piedmont and helped to carry out a special assignment at the territorial defense of Bolzano. Shortly thereafter, he was promoted to brigadier general and assigned as commander of the Military Zone of Alessandria. On March 28, 1943 he was promoted to the rank of division general. 

On the night following the armistice of September 8, 1943 between Italy and the Allies, the city of Alessandria was invaded by the Germans. Bellocchio managed to escape capture, and the next day, with the help of a police marshal, took refuge temporarily on a farm in the Alessandria countryside, later joining the partigiani (civilians fighting against the enemy) to help liberate Italy.

After retiring from the military, he returned to Bobbio and passed away there on March 7, 1966. 

It is not completely clear to us if this is the Giuseppe Bellocchio referred to in the film because, in the film, he is listed under "caduti," which means fallen. It could be another Giuseppe Bellocchio in the film or just a fictional scene. I would love to know for sure. In any case, I really enjoyed learning about this general and seeing his enchanting old pictures, which have made me so curious as to if there is a relation to our great, beloved director, Marco Bellocchio.

Giuseppe Bellocchio with his siblings and parents 
So the film, “La Lotta," I feel, is open to interpretation because there is little dialogue and many visual clues and references. It’s the story of Tonino (Fabrizio Falco), a young man who visits the local partigiani in two dreams. In the middle of these dreams, when he is awake, he talks with his mother (Ione Bertola) and girlfriend (Barbara Ronchi), raising concern about his state of mind. The cinematography is beautiful and of course upon seeing Daniele Cipri’s name in the credits, I knew why. The same can be said about the music, which was written by Nicola Piovani. The film was shown at the Cannes Film Festival in 2018 and is a project of Marco Bellocchio’s “Fondazione Fare Cinema,” which was established in his hometown of Bobbio in 1995 to encourage young, promising filmmakers.

“La Lotta” is available on PostModernissimo’s website until May 31. Click here to watch it. Click here to learn more about the film through the production company, Kavac Film. Click here to visit PostModernissimo’s homepage. Click on DI/Stanza to see the complete selection of arthouse cinema and documentaries, which include another short by Marco Bellocchio, the 2017 "Per una rosa," which I'll be watching very soon. 

Follow these links to learn more about Giuseppe Bellocchio..

Comments

Popular posts from this blog

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

'Salvatore Giuliano' blends documentary realism with dramatic storytelling

"Salvatore Giuliano" is a 1962 Italian crime drama directed by Francesco Rosi that dramatizes the real-life events surrounding the life and death of the legendary Sicilian bandit and folk hero. Giuliano rose to notoriety after the liberation of Sicily from fascist control in 1943, when he formed a gang that joined a separatist army. When the army dissolved, he and his gang intensified their outlaw activities. One of their most significant crimes was the Portella della Ginestra incident, during which dozens of men, women, and children were killed or wounded. This act prompted the authorities to launch an all-out war against Giuliano. His defenses slowly crumbled, and on July 5, 1959, his body was discovered in the courtyard of a house in Castelvetrano. That moment serves as the starting point for Rosi's film. Giuliano's fame is tied to his involvement in the Sicilian independence movement and his battles against both the Italian government and the Mafia in the 1940s a...

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...

Gianfranco Rosi to premiere 'Sotto le nuvole' at Venice Film Fest, exploring Naples' history

Documentary filmmaker Gianfranco Rosi will premiere his much-anticipated latest film at the upcoming 82nd Venice International Film Festival , which runs August 27 - Sept. 6. "Sotto le nuvole" (Below the Clouds)  takes a deep dive into the rich history and culture of Naples and the area surrounding Mount Vesuvius. There has not been much information revealed but so far, we know that the film will focus on themes similar to those explored by Rosi in his previous works, such as the examination of Roman culture in "Sacro GRA" (2013) and Lampedusa's refugee crisis in "Fuocoammare" (2016).  The film's synopsis reads, “The land around Vesuvius is a vast palimpsest. On the surface, underground and even beneath the sea of the modern city of Naples and its surroundings, the memory of history is etched into tunnels, walls and fissures, the remains of women, children and men — statues, buried cities. Only thin layers separate contemporary and ancient life, an...

"Roma 11:00" – The Tragic True Story of Desperation in a World of Poverty

There couldn’t have been a more perfect couple than Lucia Bosè and Raf Vallone in Giuseppe De Santis’ 1952 “Roma 11:00.”  A tragic story based on true events, the film follows several young women in post-WWII Rome as they answer a job listing for a typist. When 200 women are in line on one staircase over several floors, a crack leads to the collapse of the entire staircase. Dozens were injured and one was killed. The tragedy spoke to the poverty and desperation that existed for so many Italians in the early 1950s before the ‘58 industrial boom began.  Cesare Zavattini was one of the screenwriters. Elio Petri was the assistant director who interviewed many of the victims and cast a few in supporting roles. In addition to Bosè and Vallone, the film stars Carla Del Poggio, Massimo Girotti, Maria Grazia Francia, Lea Padovani and Delia Scala. The film is set in Largo Circense 37, while in reality the collapse took place in via Savoia 31, in the Salario district, on J...