Skip to main content

The Politics of Roberto Andò's Cinema

Born in Palermo in 1959, Roberto Andò began his career as a documentary filmmaker and went on to direct for the stage. In 1990, he worked as a liaison to Francis Ford Coppola during the filming of “The Godfather: Part III.”

A decade later, he made his feature film debut with “Il manoscritto del Principe” (The Prince's Manuscript), which was produced by Giuseppe Tornatore (Cinema Paradiso). Andò’s international breakout film came in 2013 with the comedy “Viva La Libertà,” the story of a politician who disappears after polls show him behind in an upcoming election. In an effort to keep the disappearance quiet, his aide (Valerio Mastandrea) comes up with a scheme to have him replaced by his twin brother who suffers from bipolar depression. Overcoming the obstacles, he wows the public, quickly turning the poll numbers around. Veteran stage and screen actor Toni Servillo is brilliant playing both brothers. 

 

Andò’s next film carried the political theme, this time in the form of a thriller. “Le confessioni” (The Confessions) weaves money, power and politics to give a contemporary portrait of the effect of capitalism throughout the world and how a select few economists, lacking in moral ground, are worsening the lives of the weak for their own benefit. A monk (Servillo) is at the center of a suspicious death and through his silence and wisdom, calls out the corruption. Given the timeliness of the subject matter, the film was wildly successful worldwide and generated lively discussions wherever it was shown.


"Le confessioni"


“There was the idea to put together different worlds talking about how politics has become completely concentrated. The other is the idea to have a central character to shape different aspects,” explained Andò in our interview when the film premiered in New York at Lincoln Center’s annual series, Open Roads: New Italian Cinema. He went on to describe Servillo’s character, “You can't understand who he is or where he's from. Of course he is a monk. You see that but he appears like a visitor and then he’s disappearing in the same way. He creates an atmosphere of mystery but with empathy and a sense of pity.”

 

Addressing the relevance of the film, Andò touched on the way in which money can have adverse effects when controlled by a select few. “What was interesting for me is that today, we are in a particular moment in our history. And we see that we have a world, a lot of money but in very few hands. This is something that is creating a lot of problems everywhere. But the movie is not an essay, so the idea was to have a group of people involved in politics during the meeting that are obliged to react to something unexpected,” he said.

 

“Viva la libertà”
Both films demonstrate the ease with which Andò and Servillo work together. He credits that ease to the generational similarities between the two. “We are the same age. We started at the same time with theater. So, I can relate well to him. He is always the first actor I think of for a story because he always brings something new to cinema.” He added, “Toni is perfect to tell this kind of story. He has this face in which you can also read something that is unsaid.”

 

Andò believes the film was received so well around the globe because the story is relatable regardless of where one lives. “I think it's a moment which is happening also in Italy, in Europe, in London. We have seen Brexit. There is this paradox. They don't have any protection from economics. Now that everything is completely separating, they are obliged to invent politics, to do something that is a real strategy. What is interesting in the movie is that everything is in relation to these people and the fact that in this hotel, there is a tragic event, completely unexpected. What is interesting is the reaction from everyone. 

 

“The Confessions” is available to stream on Amazon and Tubi. “Viva la libertà” is available on Tubi. Andò’s new film, “Il bambino nascosto,” the story of a child of Camorra and his piano teacher, premiered out of competition at the Venice Film Festival in September.


- Written by Jeannine Guilyard for the October 2021 issue of Fra Noi Magazine. Click here to subscribe.

Comments

Popular posts from this blog

7 Days - 7 Women: Interview with Actress Sabrina Impacciatore

  Photo by Rossella Vetrano On Day 6 of our series, 7 Days - 7 Women, in which we are profiling seven strong, talented women working as filmmakers, writers or visual artists, we talk with actress Sabrina Impacciatore about the diversity of her roles. Whether she's playing a devoted mother trying to protect her child, Jesus Christ's "Veronica" in Mel Gibson's controversial film, "Passion of the Christ" or a young woman coming of age, Impacciatore escapes into the life and mind of each character she takes on, sometimes so deeply that she believes she is actually them.   It's a fine line between reality and fiction, but she treads it carefully and anyone watching her performance benefits from her emotional connection to the character that she becomes. I spoke with Impacciatore at the 2010 Open Roads: New Italian Film series in New York City. We talked about her lifelong dream of becoming an actress. She also gave me some insight into the diff

A Conversation With the Man Who Played Pasolini's Christ

There have been countless cinematic interpretations of the books of the Bible, but few have stood the test of time. One that qualifies as a classic is Pier Paolo Pasolini’s 1964 “Il Vangolo secondo Matteo” (The Gospel According to St. Matthew). Considered by the Vatican to be among the best film adaptations of one of the Gospels, Pasolini’s 1964 film was shot in the regions of Calabria, Puglia and Basilicata. In an interview with RAI television while on location in Matera, Pasolini talked about the reasons for shooting there. “I chose two or three places in Basilicata. One is Barile, a town of Albanians. I needed a place for Bethlehem. Another location is Matera because it reminded me of Jerusalem,” he explained. Pasolini’s interpretation of St. Matthews’s Gospel is pure, with no added commentary. He said that he followed the Gospel word for word without adding a single syllable. He explained in the interview that his idea to make the film happened by coincidence. “In October of 19

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

Michelangelo Frammartino's "Il buco" — Unearthing our past

When a team of speleologists descended 700 meters into the Bifurto Abyss in Cosenza, Calabria, in 1961, they discovered that the underground caverns were the third deepest in the world and the deepest in Europe. Italian filmmaker Michelangelo Frammartino retraces that mission six decades later with a cast of locals and their livestock in his latest documentary, “Il buco” (“The Hole”). Inspiration for the film came while he was on location shooting his 2007 documentary, “Le quattro volte” (“Four Times”). Officials in the Pollino mountains, which stretch between Calabria and Basilicata, showed him what appeared to be just another sinkhole. Frammartino failed to understand their enthusiasm until they tossed a large stone into the void. It disappeared without making a sound. He was so overcome by the experience and the eerie landscape, he was haunted for years, compelling him to make his current film, one of many rooted in nature. “I was born in Milan, but my family is from Calabria. My pa

The Rochester Global Short Film Series

Now in its fourth year, the Rochester Global Short Film Series is a celebration of world cinema. The first edition was held in Rochester, New York in March of 2020 just before the world paused for the global pandemic.  We pride ourselves in providing a platform for the voices and perspectives of independent filmmakers. Home of Eastman Kodak and nicknamed "The World's Image Center", Rochester has a long history of supporting the performing arts. It is the birthplace of numerous renowned artists including Oscar-winning actor Phillip Seymour Hoffman, Oscar-nominated actor John Lithgow, Oscar-nominated actor Robert Forster, actress Kristen Wiig and soprano Renée Fleming.  Silent film star Louise Brooks spent the last years of her life in Rochester writing her memoir, “Lulu in Hollywood.” Known for her independent spirit and displeasure with pretentiousness, she is one of the influences behind the event. The other influence is Susan B. Anthony, a women's rights activist wh