Skip to main content

A Conversation with Claudia Gerini

She is a stunning Italian superstar who sings, dances and acts. But this triple threat is a self proclaimed tomboy at heart and enjoyed a simple, normal life growing up in the suburbs of Rome. Claudia Gerini always had a desire to be in front of the camera, and knew that one day her dream would come true. That confidence along with the support of her family led her down a path that has made her a household name in Italy.

Gerini launched her career as a showgirl before landing her first television and movie roles. Every star has a breakout role, and for Gerini that role was in Carlo Verdone's 1995 comedy, "Viaggi di nozze" (Honeymoon). The film was released at Christmastime in Italy and catapulted her to fame. Verdone was so taken with Gerini's talent, that he invited her not long afterward to team up with him again in "Sono pazzo di Iris Blond" (Iris Blond). The follow up film proved to be another blockbuster establishing Gerini as an actress that was here to stay.

Although she has a great talent for comedy, Gerini also enjoys doing drama and has pursued that interest on both sides of the Atlantic. She played the role of Claudia in Mel Gibson's "The Passion of the Christ" and also had a part in Audrey Wells's "Under the Tuscan Sun."  But her two most high profile roles were in the Italian blockbusters, "Non ti muovere" (Don't Move) and "Sono pazzo di Iris Blond." The films were created by two of Italy's most beloved and respected filmmakers, Verdone and Sergio Castellitto. The reach of both films extended beyond the borders of Italy and were seen by audiences around the world. Gerini's characters in these films are polar opposite, validating her skills as an actor. In Verdone's film, she is the eccentric, fun loving Iris Blond, a girl with big dreams and a warm, fun soul filled with enthusiasm and adventure. Based on a fortuneteller's prediction, Verdone's character, Romeo Spera, decides that he and Iris Blond are destined for each other, and the two lost souls eventually connect. Verdone and Gerini have impeccable comic timing and amazing onscreen chemistry. It's such a joy to watch them work together in this genre. At the other end of the spectrum is Castellitto's 2004 drama, "Non ti muovere." Gerini plays Elsa, the wife of Castellitto's character, Timoteo. Elsa is a hard woman who finds it difficult to show her emotions. She holds everything inside until she is faced with a devastating, traumatic event that forces her to confront her issues. The chemistry between Gerini and Castellitto was strong, but not as one would expect. The two characters are mired in a loveless marriage, and the aggression, resentment and awkwardness of their relationship is almost palpable. The two stars bring a tremendous intensity to their roles that propels the complicated and emotionally freighted story forward.

Photo by Francesca Martino
I recently had the pleasure of talking with Gerini. She told me about her childhood growing up in Rome, her dreams of being a performer and her experiences in working with some of the biggest names in cinema.

What was your childhood like.. did you always want to be a performer?
I always wanted to be an actress. I came from a very normal middle class family. I have one sister. We had a very normal childhood growing up in the suburbs of Rome. We were very free, we rode our bicycles, had a big garden in the country with two dogs. We spent time outside playing with friends. I was more of a tomboy, not a princess at all. When I was around 10 years old, I studied dance. I wanted to entertain and to be in show business. It was my dream and I was sure that sooner or later, I would succeed.

Did your parents support your dreams of becoming an actress?
Yes, my mother went to the casting agents with me and my father always loved cinema, especially the films of neorealism.

Tell me about the early days of your career.
My first big box office hit was with the comedy, "Honeymoon" with Carlo Verdone.  It's a film with three stories. It's very funny. After that, I spent some time traveling around Europe to cities like Paris and Madrid exploring different cultures.

One of my favorite characters is your role as Carlo Verdone's love interest in "Sono pazzo di Iris Blond." It seems like you had a great time playing that role. 
We did very well with "Honeymoon" and he wanted to do another comedy with me so he asked me what I thought, and I said let's do something with music because I want to sing. We shot the film in Brussels, which is a very inspiring city. I was happy to work with Carlo again and especially in such an interesting role of this crazy girl. It felt like I was in a dream singing and being surrounded by so much music.

What was it like working with Mel Gibson on "The Passion of the Christ?"  
I love Mel Gibson. I had a very good time with him playing this woman, Claudia. My scenes were shot in Cinecittà, so I did not have the experience of shooting on location like some of the other actors, but it was a very good experience.

Photo by Francesca Martino
Your role in Sergio Castellitto's film "Non ti muovere" was very strong, and the movie was a huge international success. What did you think of the story and your character in the film?
I met Sergio for an audition. The first meeting wasn't great. Then he saw a movie that I did in Spain and he called me back. I did another audition and I got the part. The role was different. I was a very ambiguous woman. My character was there, but not really there for her husband. She was a cold woman. It was not easy. It was a tricky role and I had to find the right balance for my character.

Is there a character that you have identified with the most?
Well there is a little piece of me in many of my characters, but I would have to say the character that I am most like is Iris Blond because she was a singer, and I had such a good experience working on that movie with Carlo Verdone. It was like a reunion.
 
What do you enjoy the most about your Italian culture, what are you most proud of for being Italian?
Our history and our culture from the past to the present... We have such amazing cities, beautiful land and culture but I don't like the way our leaders are running the country. There is no organization here and too much corruption. Italy is such an amazing incredible place and could be so much more if our leaders would just give it a chance.

Over the past few years, Claudia Gerini has worked on a number of unique projects, including the television miniseries, "Labyrinth" and Paolo Genovese's comedy, "Una famiglia perfetta" (A Perfect Family) in which she shared the screen again with Sergio Castellitto. She chooses roles that call on the diversity and depth of her acting skills, contributing to her growth as an artist. 

Comments

Popular posts from this blog

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn...

La Grande Bellezza of Sabrina Ferilli

The 2015 Rome Premiere of "Io e Lei" Sabrina Ferilli has been gracing Italian screens, big and small, since the mid-80s. With her recent role in Paolo Sorrentino's international blockbuster, "La Grande Bellezza" (The Great Beauty), audiences throughout the world are getting the chance to see why she is one of Italy's most beloved treasures. Born in Rome in 1964, Sabrina Ferilli is the daughter of Giuliano Ferilli, the former leader of the Communist Party of the Lazio Region. Ferilli attempted to study her craft at Rome's Experimental Center of Cinematography, but later decided to abandon her studies and dive right into her career. Time has proven that she made the right choice. With dozens of movies to her credit, Ferilli has appeared on television and on the big screen, becoming a household name in Italy. Ferilli is the very portrait of Italian beauty with her infamous figure, long brown locks and dark eyes. But as cliched as it may sound, s...

Director Gianni Di Gregorio explores relationships in later life with 'Never Too Late for Love'

In “Astolfo” (“Never Too Late for Love”), director Gianni Di Gregorio delivers a coming-of-age film for the golden years of life about a retired professor who leaves Rome to return to a tiny mountain village in Abruzzo. The film opens with the title character, played by Di Gregorio, walking through the streets of his Roman neighborhood, groceries in hand, only to find his landlord waiting for him when he arrives home. She is there to announce that he will have to vacate his humble residence to make way for her daughter, who is getting married soon.  After some contemplation, he calls his ex-wife to ask her about an old family castle he split with her in their divorce. When she confirms that a portion of the castle is his for the taking, he gleefully returns to his spacious new home only to discover it has been occupied by a squatter, who turns out to be an acquaintance from his childhood who is also down on his luck. Without hesitation, Astolfo adopts the man as his roommate. ...

Nicoletta Braschi and Roberto Benigni.. What cinema dreams are made of

The Toronto International Film Festival is wrapping up its retrospective of the cinematic collaboration of husband and wife team, Nicoletta Braschi and Roberto Benigni. Over the last few days, the couple have participated in discussions, Q & A sessions and have introduced several of their films. Today, I attended a screening of "La voce della luna" (The voice of the moon). It was  Federico Fellini's last film and is a wonderful tribute to the director's signature poetic madness. The film gave Benigni the opportunity to team up with fellow beloved comic, Paolo Villaggio, and the two created a truly unforgettable adventure. Today's screening began with an introduction by Benigni. The moments leading up to his introduction were noticeably serious and somewhat tense. Benigni's publicist and TIFF security staunchly guarded his privacy. There was no interaction and no photos were allowed. Guided by ...

Paola Cortellesi shines as La Befana in a family comedy blending tradition and modernity

A wildly successful Christmastime film, earning over $8 million at the box office when it premiered in 2018, "La befana vien di notte" (“The Legend of the Christmas Witch”) is a wholesome holiday comedy that the whole family can watch. Directed by Michele Soavi, the film stars two of Italy's most diverse contemporary actors, Paola Cortellesi and Stefano Fresi, as gift-giving foes. Paola (Cortellesi) is a grammar schoolteacher by day, but at night, she turns into La Befana, the Christmas witch, a mystical being who brings gifts to the good kids and coal to the naughty ones.   On one of her Befana nights, she was attacked by a dog that tore her Befana gift list. When she returned home from a night of riding on her broomstick, delivering gifts to children all over the world, she realized that she had forgotten one child. When she discovered the torn-up list, she figured out who the child was, got back on her broom, and headed straight to his house. Having arrived late, the b...