Skip to main content

One of a Kind Ugo Tognazzi

He gained renown during the commedia all’italiana years but his captivating performances kept him working through five decades until his untimely death in 1990.

Born in 1922 in Cremona, Ugo Tognazzi’s first acting experiences go back to his childhood when he participated in local theater productions. In 1945, he won a competition for amateurs and was then officially hired by a theater company which led to a nationwide tour.  A few years later, he landed his first film roles and in the next decade, made a whopping 28 films. However, for all the films he made in the ‘50s, it was the ‘60s and ‘70s when his films were hits also outside Italy, giving him much-deserved international recognition for his lead roles. 

 

Tognazzi had a uniquely self-effacing and multidimensional style. There’s no such thing as a typical Tognazzi character because they were all so completely different. Losing himself in each role, he gifted them with their own identities. Perhaps there’s a consistent dose of pessimism, but that quality was shared by many in his generation of actors. There’s also an air of indifference that makes Tognazzi’s comic timing impeccable, allowing him to deliver the punchline at just the right moment. Thanks to streaming platforms, many of his acclaimed films are available stateside.

 

Antonio Pietrangeli’s 1964 comedy “Il magnifico cornuto” (The Magnificent Cuckhold) was adapted from Fernand Crommelynck’s book by the same name. Starring Tognazzi as Andrea Artusi, a successful hat salesman married to a beautiful young woman Maria Grazia (Claudia Cardinale), the film explores the consequences of infidelity. After he gives into the advances of a colleagues wife, Andrea begins to question his own wife’s loyalty to the point of becoming obsessed with her having an affair. All through his suspicions and questioning, she remains patient and above all, innocent. Then one night, he lets his imagination get the best of him and it puts them both over the edge. Tognazzi’s strong silences, shrewd smile and conniving glances give voice to his paranoia and suspenseful, controlled reactions. He knew when to be light-hearted and when to go in for the kill. 


Watch a clip from the opening scene of the film...



Tognazzi had a small but pivotal role in Pietrangeli’s 1965 follow up, “Io la conoscevo bene” (I Knew Her Well). Starring Stefania Sandrelli, the film follows Adriana Astarelli, a free-spirited starlet trying to make it in Rome’s unforgiving movie business. Tognazzi plays the role of Gigi Baggini, an unemployed aging actor desperate for work. There is an intense dance scene in which Gigi gives an impromptu audition for an exploitative producer (Nino Manfredi). The scene serves as a perfect example of Tognazzi’s total immersion. Gigi is so physically and emotionally invested in this audition, the scene is just exhausting to watch. 

 

Another small part worth mentioning came in the 1968 Dino De Laurentiis production of “Barbarella.” Adapted from Jean-Claude Forest’s best seller of the same name and directed by Roger Vadim, the science fiction film stars Jane Fonda as a futuristic peacekeeping space traveler whose mission is to save humanity. Tognazzi interprets the role of Mark Hand, the “catchman” who assists Barbarella on her journey, seducing her along the way. Tognazzi’s voice was dubbed, so you’re not getting the essence of his complete performance, but not having to follow subtitles gives you freedom to admire him in the prime of his career. The film was made at Cinecittà studios and boasts some pretty zany costumes and set design. 



Tognazzi made string of dark comedies in the 1970s that include Elio Petri’s 1973 “La proprietà non è più un furto” (Property Is No Longer a Theft). Known as political filmmaker, Petri’s films often served as commentary on the decline of society and this film is no different with its emphasis on the role that money and power play in corrupting people. A petty thief who calls himself a Mandrakian Marxist, meaning that he only steals what he needs, has a target on Tognazzi’s character, a greedy, morally depraved butcher. “The Butcher” as he is called throughout the film, is a truly despicable character who never really learns his lesson.
Click here to watch the film on MUBI for a limited time. Click here to watch it on Criterion Channel.

 

Tognazzi created another grotesque character that year in Marco Ferreri’s “La Grande Bouffe,” a dark comedy about four middle-aged friends, masterfully portrayed by Tognazzi and Marcello Mastroianni along with French actors Philippe Noiret and Andréa Ferréol. The group plans a decadent weekend getaway at a mansion with one goal-  to commit suicide by gorging themselves to death. Equipped with voracious appetites, one by one, the group reaches its goal through carnal and culinary indulgence. Tognazzi plays Ugo, an Italian chef living in Paris who is the designated cook for the weekend. He passionately and articulately creates every meal as if it was his last and the last was indeed his greatest accomplishment. The film has become a cult classic but is not for the faint of heart. Click here to watch the film on iTunes and here to watch it for free on Tubi.

Based on the stage play by Jean Poiret, Édouard Molinaro’s 1978 “La Cage aux Folles” provided Tognazzi the opportunity to create one of his most memorable characters, the gay cabaret owner Renato Baldi. The proprietor of a popular nightclub known for its drag shows, Renato must temporarily straighten out at the request of his son Laurent (Rémi Laurent) who was conceived 20 years ago during a one-night stand with a young actress. This request comes on the heels of Laurent’s engagement to a woman whose politician father is in the middle of a scandal and uses the engagement as an excuse to get out of town and meet the parents. Renato’s longtime partner, the highly emotional Albin (Michel Serrault) does not take the request lightly. What follows is a hilarious lesson on the perils of pretending to be someone you’re not. In 1996, Mike Nichols remade the film, titled “The Bird Cage,” with Robin Williams in the role of Renato Baldi. Williams channeled Tognazzi’s creation and gave a moving performance. 

 

Tognazzi passed away in 1990 after suffering a brain hemorrhage. In addition to his films, his legacy includes his children Ricky, Maria Sole, Gianmarco and Thomas Robsahm who are all successful contemporary filmmakers. 


Click on the images below to stream Tognazzi's films on Amazon..


           

         

Comments

Popular posts from this blog

Luisa Ranieri: A Contemporary Classic

Paolo Sorrentino’s “The Hand of God” has advanced to the short list in the 2022 Oscar race. The film is available stateside on Netflix. One of the stars of the film is actress Luisa Ranieri as the eccentric, troubled Aunt Patrizia. Luisa Ranieri Born in Naples in 1973, Ranieri hit the ground running, finding her break out film just two years after starting her acting career. That project, a made for television movie on the life of Maria Callas in which she played the starring role, immediately made her one of the country’s most popular actresses. After numerous supporting roles in both television and film, Ranieri scored the title role in Lodovico Gasparini’s 2016 miniseries “Luisa Spagnoli,” giving her another opportunity to portray a deeply complex character. The film follows the trailblazing entrepreneur who created the Perugina chocolate brand as well as a popular clothing line that still bears her name.  “I was born poor like you and know how hard life can be.” That inspirin...

Golden Age Masterpiece: Luchino Visconti’s 1957 “White Nights”

Photo Credit: Archivio Luce Cinecittà Luchino Visconti’s 1957 film, “White Nights” (“Le notti bianche”), offers a thoughtful and poignant exploration of themes such as loneliness, desire and emotional vulnerability. Based on Fyodor Dostoevsky’s novella of the same name, it transports the tale from 19th-century St. Petersburg to a dreamy mid-20th-century Italian setting. While Visconti remains largely faithful to Dostoevsky’s narrative, his characteristic style infuses the film with emotional depth, striking visuals, and a focus on class and societal constraints.   The story follows a young man named Matteo, played by Marcello Mastroianni, who lives a solitary life in a small Italian town. One evening, he encounters a beautiful young woman named Natalia, portrayed by Austrian-Swiss actress Maria Schell, who is also feeling isolated. Although she is initially reluctant, Natalia eventually confides in Matteo about her love for a man who has promised to return and marry her, but he ha...

A Conversation with Sergio Castellitto

Sergio Castellitto has made a profound impact on world cinema, both in front of and behind the camera. Born in Rome in 1953, Castellitto graduated from film school in 1978 and credits American cinema with pushing him toward a career in acting. His work has garnered numerous accolades, largely due to his immersive, original approach to projects in film, television and theatre. Castellitto is fluent in French and English, which has contributed mightily to his international stardom. But it's the actor's trademark brown eyes and charming everyman qualities that have lent his various characters -- even the ones that are rough around the edges -- an air of dignity that other actors might not have achieved. Sergio Castellitto and Margaret Mazzantini, 2005 Films such as "Paura e Amore," "L'uomo delle stelle," "Caterina va in città," and "Bella Martha" heralded Castellitto as a versatile artist with far-reaching abilities. But it ...

The Life and Work of Monica Bellucci

Monica Bellucci as Malèna Born in Umbria in 1964, Monica Bellucci is one of the most recognizable faces of international cinema. But she didn't always have her sights set on the spotlight. She went to college to study law and modeled to pay her tuition. Her success in the fashion world coupled with the offers that were pouring in to appear on the big screen eventually took over, changing her fate. Bellucci made her on-screen debut in the 1990 television movie, " Vita coi figli." Just two years later, she scored her first American role in Francis Ford Coppola's "Dracula."   In addition to her native language, she speaks fluent English and French, which has made for a smooth transition from Italian to international cinema. Stateside, she has acted in blockbusters such as "The Matrix-Reloaded,"     " The Passion of the Christ" and " The Sorcerer's Apprentice." She has also appeared in several French films, a...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...